| Vol.1, No.1 |
Spring/Summer 1999 |
218 pages / 18 articles |
x |
| Vol.1, No.2 |
Fall 1999 |
250 pages / 21 articles |
x |
| Vol.2, No.1 |
Spring 2000 |
213 pages / 19 articles |
x |
| Vol.2, No.2 |
Fall 2000 |
331 pages / 19 articles |
Portfolio: 10 cartoons |
| Vol.3, No.1 |
Spring 2001 |
302 pages / 24 articles |
Portfolio: 14 cartoons |
| Vol.3, No.2 |
Fall 2001 |
344 pages / 24 articles |
Portfolio: 7 cartoons |
| Vol.4, No.1 |
Spring 2002 |
322 pages / 27 articles |
Portfolio: 12 cartoons |
| Vol.4, No.2 |
Fall 2002 |
375 pages / 22 articles |
Portfolio: 12 cartoons |
| Vol.5, No.1 |
Spring 2003 |
426 pages / 29 articles |
Portfolio: 13 cartoons Oleg Dergachov's Special: 8 cartoons |
| Vol.5, No.2 |
Fall 2003 |
526 pages / 34 articles |
1 special Index/Portfolio: 11 cartoons |
| Vol.6, No.1 |
Spring 2004 |
386 pages / 22 articles |
Portfolio: 10 cartoons |
| Vol.6, No.2 |
Fall 2004 |
26 articles |
Portfolio: 11 cartoons |
| Vol.7, No.1 |
Spring 2005 |
35 articles |
Portfolio: 16 cartoons |
| Vol.7, No.2 |
Fall 2005 |
416 pages / 22 articles |
Portfolio: 6 cartoons |
| Vol.8, No.1 |
Spring 2006 |
620 pages / 31 articles |
Portfolio: 15 cartoons |
| Vol.8, No.2 |
Fall 2006 |
508 pages / 22 articles |
Portfolio: 10 cartoons |
| Vol.9, No.1 |
Spring 2007 |
755 pages / 38 articles |
Portfolio: 11 cartoons |
| Vol.9, No.2 |
Fall 2007 |
643 pages / 29 articles |
Portfolio: 10 cartoons |
| Vol.10, No.1 |
Spring 2008 |
604 pages / 39 articles |
Portfolio: 15 cartoons |
| Vol.10, No.2 |
Fall 2008 |
872 pages / 41 articles |
x |
| Vol.11, No.1 |
Spring 2009 |
673 pages / 28 articles |
Portfolio: 17 cartoons |
| Vol.11, No.2 |
Fall 2009 |
528 pages / 26 articles |
Portfolio: 20 cartoons |
| Vol.12, No.1 |
Spring 2010 |
537 pages / 27 articles |
Portfolio: 14 cartoons |
| Vol.12, No.2 |
Fall 2010 |
711 pages / 38 articles |
Portfolio: 19 cartoons |
| Vol.13, No.1 |
Spring 2011 |
760 pages / 39 articles |
x |
| Vol.13, No.2 |
Fall 2011 |
750 pages / 46 articles |
x |
| Vol.14, No.1 |
Spring 2012 |
636 pages / 29 articles |
Portfolio: 11 cartoons |
| Vol.14, No.2 |
Fall 2012 |
504 pages / 30 articles |
Portfolio: 15 cartoons |
| Vol.15, No.1 |
Spring 2013 |
504 pages / 24 articles |
Portfolio: 20 cartoons |
| Vol.15, No.2 |
Fall 2013 |
794 pages / 42 articles |
x |
| Vol.16, No.1 |
Spring 2014 |
590 pages / 28 articles |
Portfolio: 21 cartoons |
| Vol.16, No.2 |
Fall/Winter 2014 |
686 pages / 37 articles |
x |
| Vol.17, No.1 |
Spring/Summer 2015 |
679 pages / 36 articles |
x |
| Vol.17, No.2 |
Fall/Winter 2015 |
663 pages / 34 articles |
Portfolio: 9 cartoons |
| Vol.18, No.1 |
Spring/Summer 2016 |
639 pages / 32 articles |
x |
| Vol.18, No.2 |
Fall/Winter 2016 |
557 pages / 28 articles |
Portfolio: 30 cartoons |
| Vol.19, No.1 |
Spring/Summer 2017 |
661 pages / 30 articles |
Portfolio: 9 cartoons |
| Vol.19, No.2 |
Fall/Winter 2017 |
497 pages / 23 articles |
x |
| Vol.20, No.1 |
Spring/Summer 2018 |
681 pages / 39 articles |
x |
| Vol.20, No.2 |
Fall/Winter 2018 |
632 pages / 31 articles |
x |
| Vol.21, No.1 |
Spring/Summer 2019 |
840 pages / 41 articles |
x |
| Vol.21, No.2 |
Fall/Winter 2019 |
503 pages / 21 articles |
Portfolio: 11 cartoons |
| Vol.22, No.1 |
Spring/Summer 2020 |
606 pages / 26 articles |
x |
| Vol.22, No.2 |
Fall/Winter 2020 |
606 pages / 26 articles |
Portfolio: 32 cartoons |
| Vol.23, No.1 |
Spring 2021 |
596 pages / 24articles |
x |
| Vol.23, No.2 |
Fall/Winter 2021 |
605 pages / 39articles |
x |
| Vol.24, No.1 |
Spring/Summer 2022 |
521 pages / 35articles |
x |
| Vol.24, No.2 |
Fall/Winter 2022 |
521 pages / 35articles |
x |
|
| Vol. 1, No. 1, Spring/Summer 1999 |
| John A. Lent |
1-3 |
Editor's Note: Finally, an International Journal for Comic Art |
| Joseph Witek |
4-16 |
Comics Criticism in the United States; A Brief Historical Survey |
Matthew Lombard,
John A. Lent,
Linda Greenwood,
Asli Tunc |
17-32 |
A Framework for Studying Comic Art |
| Allen Ellis |
33-41 |
Comic Art in Scholarly Writing: A Citation Guide |
| Peter Duus |
42-56 |
The Marumaru Chinbun and the Origins of the Japanese Political Cartoon |
| Gene Kannenberg, Jr. |
57-75 |
Proving "Silas" an Artist: Winsor McCay's Formal Experiments in Comics and Animation |
| Mike Kidson |
76-89 |
William Hogarth: Printing Techniques and Comics |
| David A. Berona |
90-103 |
Breaking Taboos: Sexuality in the Work of Will Eisner and the Early Wordless Novels |
| Leif Packalen |
104-121 |
Comics in the Development of Africa |
| Bart Beaty |
122-139 |
Featuring Stories by the World's Greatest Authors: Classics Illustrated and the "Middlebrow Problem" in the Postwar Era |
| Pascal Lefevre |
140-149 |
Recovering Sensuality in Comic Theory |
| John A. Lent |
150-156 |
The Horrors of Cartooning in Slim's Algeria |
| David E. Goldweber |
157-170 |
Mr. Punch, Dangerous Savior |
| Waldomiro C. S. Vergueiro |
171-186 |
Children's Comics in Brazil: From Chiquinho to Monica, A Difficult Journey |
| Nadilson Manoel da Silva |
187-204 |
Brazilian Adult Comics: The Age of Market |
| Spiros Tsaousis |
205-218 |
Postmodern Spatiality and the Narrative Structure of Comics |
| Vol. 1, No. 2, Fall 1999 |
| John A. Lent |
1 |
Editor's Note |
| Jose Alaniz |
4 |
Towards a History of a ‘Stalled’ Medium: Comics in Russia |
| Marc Singer |
29 |
Invisible Order: Comics, Time and Narrative |
| Anne Rubenstein |
41 |
Mexican Magazine Censors Versus the United States Marines: A Case Study of Transnational Reception |
| Michael A Chaney |
55 |
The Dismantling Evolution of Heroes: Aquaman’s Amputation |
| John A. Lent |
66 |
Poland’s Malgorzata Tabaka, Drawer of Lyrical Satirical Cartoons |
| Daniel Patanella |
76 |
The Persuasive Techniques and Psychological Validity of Seduction of the Innocent |
| Igor Prassel |
86 |
Slovenian Comics |
| Allen Douglas, Fedwa Malti-Douglas |
98 |
Islamic “Classics Illustrated”: Regendering Medieval Philosopy in a Modern Tunisian Strip |
| Joost Pollmann |
107 |
An Art of the Real: About the Adulthood of Contemporary Comics |
| Turgut Çeviker |
127 |
The City and Housing in Turkish Cartoons |
| Mark C. Rogers |
132 |
Licensing Farming and the American Comic Book Industry |
| Michael G. Rhode |
143 |
The Commercialization of Comics: A Broad Historical Overview |
| Francis B. Nyamnjoh |
171 |
Press Cartoons and Politics in Cameroon |
| Caridad Blanco de la Cruz |
191 |
The Engineering of Humor |
| Stanford W. Carpenter |
195 |
The Tarzan vs. Predator Comic Book Mini-Series: An Ethnographic Analysis |
| |
216 |
New Voices in Comics” 1998: A Roundtable |
| John A. Lent |
238 |
The Printed Word |
| Mark C. Rogers |
242 |
Reviews |
| Gene Kannenberg, Jr. |
244 |
Critical Closure |
| |
248 |
Correspondence |
| Vol. 2, No. 1, Spring 2000 |
| John A. Lent |
1-2 |
Editor's Note |
| Leonard Rifas |
3-32 |
Cold War Comics |
| Annette Matton |
33-43 |
Reader Responses to Doug Murray's The 'Nam |
| Wai-ming Ng |
44-56 |
A Comparative Study of Japanese Comics in Southeast Asia and East Asia |
| Andrew Matzner |
57-75 |
Not a Pretty Picture: Images of Married Life in Thai Comic Books |
| Old Frahm |
76-84 |
Weird Signs: Aesthetics of Comics as a Parody |
| Maurice Horn |
85-89 |
American Comic Strips And Silent Seriable: A Prarallel |
| Zdravko Zupan |
90-101 |
The Golden Age of Serbian Comics Belgrade Comic Art 1935-1941 |
| John A. Lent |
102-108 |
East European Cartooning: Differences over Time and Space |
| Oleg Dergatchov |
109-116 |
Leonid Tishkov's Dabloids: Russian Myth in Comics |
| Michael Hill |
117-132 |
Outside Influence / Local Color: The Australian Small Press |
| Anne N. Thalheimer |
133-143 |
Terrorists, Bitches, and Dykes: Late 20th Century Lesbian Comix |
| Barbara Jo Lewis |
144-158 |
Cyborg Might: Conceptions of Power in Comic Book Art |
| Libbie McQuillan |
159-177 |
Between the Sheets at Pilote: 1968-1973 |
| Caridad Blanco |
178-189 |
Always the Other One: Salomon |
| Ana Merino |
190-197 |
Inodoro Pereyra, A "Gaucho" in the Pampa of Paper and Ink: Folkloric and Literary Intertextuality and Its Reformulations in Argentinean Comics |
| Oyin Medubi |
198-206 |
Leadership Stereotypes and Lexical Choices: An Example of Nigerian Cartoons |
| John A. Lent |
207-208 |
The Printed Word |
| Mike KidsonMichael G. Rhode |
209-213 |
Reviews |
| Vol. 2, No. 2, Fall 2000 |
| David R. Spencer |
1-32 |
Double Vision: The Victorian Bi-cultural World of Henri Julien |
| Wendy Siuyi WongLisa M. Cuklanz |
33-53 |
The Emerging Image of the Modern Woman in Hong Kong Comics of the 1960s &1970s |
| Francis Nyamnjoh |
54-76 |
Zapiro and South African Political Cartooning |
| Jordan J. Titus |
77-99 |
Gnashing of Teeth: The Vagina Dentata Motif in "Bad Girl" Comics |
| Chris York |
100-110 |
All in the Family: Homophobia and Batman Comics in the 1950s |
| Thierry Groensteen |
111-120 |
Gustave Dore's Comics |
| Kalman Rubovszky |
121-134 |
The Hungarian Comic Strip at the Turn of the Millennium |
| Mel Gibson |
135-151 |
Reading as Rebellion: The Case of the Girls' Comic in Britain |
| Ruth Boyask |
152-163 |
Reading Community in Funtime Comics: A New Zealand Narrative |
| Waldomiro C. S. Vergueiro |
164-177 |
Brazilian Superheroes in Search of Their Own Identities |
| Jeff Williams |
178-190 |
The Evolving Novel: the Comic-Book Medium as the Next Stage |
| Paul P. Somers, Jr. |
191-205 |
Krauts Hinaus: Graphic Stereotypes of German-Americans Before and During World War I |
| Eric Weitzel |
206-232 |
Of Pop Culture Pleasures and Radical Aesthetics: The Influence of Popular Comic Strips on Picasso's Political Art |
| Jongmin ParkSung Wook Shim |
233-247 |
The Presidential Candidates in Political Cartoons: A Reflection of Cultural Differencs between the United States and Korea |
| Michael L. MaynardEdward Lordan |
248-264 |
Laughing at the Glass Ceiling in The Wall Street Journal Cartoons |
| Michael RhodeTom FurtwanglerDavid Wybenga |
265-306 |
Stories Without Words: A Bibliography with Annotations |
| John A. Lent |
307-309 |
The Printed Word |
|
310-321 |
Reviews |
| Gene Kannenberg, Jr. |
322-324 |
Critical Closure |
|
325-331 |
Portfolio |
| Vol. 3, No. 1, Spring 2001 |
| John A. Lent |
1-2 |
Editor's Note |
| John A. Lent |
3-8 |
Comic Art: Some Global Issues |
| Joost Pollman |
9-21 |
Shaping Sounds in Comics |
| Jeremy Allen |
22-37 |
A Virtual Revolution: Australian Comic Creators and the Web |
| Tim Blackmore |
38-58 |
What a Picnic!: Swamp Ecology in Walt Kelly's Pogo |
| Lim Cheng Tju |
59-76 |
"Sister Art" - A Short History of Chinese Cartoons and Woodcuts in Singapore |
| David E. Goldweber |
77-85 |
The Function of Dreams and Stories in The Sandman |
| Pierre L. Horn |
86-92 |
American Graffiti - French Style: Three Comic Strip Artists Look at Pre-War America |
| Mark C. Rogers |
93-108 |
Ideology in Four Colours: British Cultural Studies Do Comics |
| Jean-Marie Bertin |
109-119 |
Thoughts and Views on Raymond Peynet, French Artist and Universal Poet |
| Sheng-mei Ma |
120-148 |
The Nine Lives of Blackhawk's Oriental: Chop Chop, Wu Cheng, and Weng Chan |
| Sue RalphBeth HallerTim Lees |
149-169 |
"Off Me Head": Cartoons from English Newspapers Concerning the Glenn Hoddle Affair |
| Peter Nieuwendijk |
170-190 |
Several Ways of Making a Cartoon (with 26 Examples) |
| Andy Mason |
191-197 |
Africa Ink: Cartoonists Working Group, Towards an Association of African Cartoonists: Report of an International Workshop on Cartoon Journalism and Democratisation in Southern Africa |
| John A. Lent |
198-202 |
How To Withstand War, the Rastko Ciric Way |
| Chris Gage |
203-209 |
Can You Dig It? The World of Fast Willie Jackson |
| William Foster, III |
210-216 |
Interview with Bertram Fitzgerald: The Life and Times of Fast Willie Jackson (1976-1977) |
| M. Thomas Inge |
217-250 |
Comic Strips: A Bibliographic Essay |
| Lucy Shelton Caswell |
251-262 |
Resources for Scholars at The Ohio State University Cartoon Research Library |
| Michael Rhode Ray Bottorff, Jr. |
263-274 |
The Grand Comics Database (GCD): An Evolving Research Tool |
| John A. Lent |
275-277 |
The Printed Word |
| Peter CooganMichael Rhode |
278-282 |
Book Reviews |
| Michael Rhode |
283-288 |
Exhibition Reviews |
| Gene Kannenberg, Jr. |
289-291 |
Critical Closure |
|
292-302 |
Portfolio |
| Vol. 3, No. 2, Fall 2001 |
| [Latin American Comic Art: A Symposim] |
| John A. Lent |
1-22 |
An Historical and Contemporary Overview |
| Andres Accorsi |
23-43 |
Argentine Comics |
| Jeff Williams |
44-55 |
Argentine Comics Today: A Foreigner's Perspective |
| Ana Merino |
56-69 |
Oesterheld, the Literary Voice of Argentine Comics |
| Waldomiro C. S. Vergueiro |
70-78 |
Brazilian Pornographic Comics: A View on the Eroticism of a Latin American Culture in the Work of Artist Carlos Zefiro |
| Perucho Mejia G. |
79-82 |
Comic Art in Colombia: a Short Historical Journey |
| Dario Mogno |
83-105 |
Parallel Lives: Comics and Animated Cartoons in Cuba From Beginning to Present |
| Caridad Blanco de la Cruz |
106-115 |
Ares: An Undomesticated Humorist |
| Daniel Puch |
116-126 |
Cartooning in Uruguay: Not Yet the White Flag |
| Gisel Gil-Egui |
127-137 |
Venezuela's Alonso and the Art of leaving It All to Art |
|
|
|
| Beatrice Marechal |
138-150 |
"The Singular Stories of the Terashima Neighborhood": A Japanese Autobiographical Comic |
| Fusami Ogi |
151-161 |
Beyond Shoujo, Blending Gender:Subverting the Homogendered World in Shoujo Manga (Japanese Comics for Girls) |
| Nhu-Hoa Nguyen |
162-174 |
The Rhetoric of Parody in Claire Bretecher's Le Destin de Monique |
| Philippe Sohet |
175-188 |
Figures and Representation of the Fantastic in Andreas's Work |
| Kerry Soper |
189-201 |
Gentrifying the Alternatives or Alternifying the Mainstream? Consolidation, Incorporation, and the State of Comic Strip Satire in Alternative Weeklies, 1985-2000 |
| Bart Beaty |
202-221 |
Fredric Wertham Faces His Critics: Contextualizing the Postwar Comics Debate |
| Patricia Watson ShariffHilary Janks |
222-238 |
Changing Stories: The Making and Analysis of a Critical Literacy Romance Comic |
| Mel Gibson |
239-249 |
"Wham! Bam! The X-Men Are Here":The British Broadsheet Press and the X-Men Film and Comic |
| Mark David Nevins |
250-294 |
"New Voices in Comics III" (ICAF 2000) |
| M. Thomas Inge |
295-328 |
Comic Books, A Bibliographic Essay |
| John A. Lent |
329-331 |
The Printed Word |
| David Berona |
332-334 |
Book Review |
| Michael Rhode |
335 |
Exhibition Review |
| Gene Kannenberg, Jr. |
336-337 |
Critical Closure |
|
338-343 |
Portfolio |
| Vol. 4, No. 1, Spring 2002 |
| John A. Lent |
1-4 |
Editor's Note |
| [There at the Beginning: Early Days of Comics Scholarship] |
| John A. Lent |
5 |
Introduction |
| Maurice Horn |
6-22 |
How It All Began, or Present at the Creation |
| Alvaro de Moya |
23-25 |
Pioneering in Brazilian Quadrinhos, as a Cartoonist and Researcher |
| Giulio C. Cuccolini |
26-39 |
In Search of Lost Time or Time Regained |
| Arthur Asa Berger |
40-47 |
Is This the Kind of Thing That Serious Academics Do? |
| Wolfgang J. Fuchs |
48-59 |
The Story of an "Anatomy" That Gave Recognition to Comics as a Mass Medium |
| Will Eisner |
60-63 |
Comics and Electronics |
| Martin Barker |
64-77 |
Kicked into the Gutters: or, "My Dad Doesn't Read Comics, He Studies Them." |
| Trina Robbins |
78-83 |
How I Became a Herstorian |
| John A. Lent |
84-96 |
Almost Left at the Gate: An Arrhythmic Career in Comics Scholarship |
|
|
|
| David Ehrlich |
97-133 |
Growing up with Dinosaurs: An Interview with Steve Bissette |
| Randy Duncan |
134-142 |
The Weaver's Art: An Examination of Comic Book "Writing" |
| Jeffrey A. Miller |
143-150 |
Comics Narrative as Striptease |
| Trina Robbins |
151-162 |
No Man Is My Master: American Romance Comics of the 1970s and the Women's Liberation Movement |
| K. A. Laity |
163-169 |
Construction of a "Female Hero": Iconography in Les aventures extraordinaires d'Adele Blanc-Sed |
| John A. Lent |
170-204 |
New Zealand -- Exporter of Mainstream Cartoonists, Haven for Alternative Comics |
| Fabrice Leroy |
205-217 |
Absent-Mindness, Mustaches, and the Cold War: The Image of Science in Herge's Professor Calculus and Franquin's Count of Champignac |
| Oleg Dergachov |
218-227 |
Rosta Windows: As a Phenomenon of Russian Revolutionary Comic Strips |
| Stanford W. Carpenter |
228-238 |
Alex Simmons and the African-American Soldier of Fortune Known as Blackjack: A Case Study in Independent Comic Book Publishing |
| Brian Cremins |
239-247 |
"Why have you allowed me to see you without your mask?": Captain America #133 and the Great American (Protest) Novel |
| Nadilson Manoel da Silva |
248-268 |
Viz Comic: Carnival and Commercialization |
| A. David Lewis |
269-300 |
Kingdom Code |
| John A. Lent |
301-304 |
The Printed Word |
| David BeronaRocco Versaci |
305-309 |
Book Reviews |
| Micheal Rhode |
310 |
Exhibition Reviews |
| Gene Kannenberg, Jr. |
311-312 |
Critical Closure |
|
313-322 |
Portfolio |
| Vol. 4, No. 2, Fall 2002 |
| Mark David Nevins |
1-52 |
"Drawing from Life": An Interview with Joe Sacco |
| Micheline Maupoint |
53-69 |
Plantu: The Editorial in Caricatures: An Analysis of the Role and the Impact of Plantu's Political Cartoons in the French Daily Newspaper, Le Monde |
| Hector D. Fernandez L'Hoeste |
70-83 |
Resurrecting the Nation Through the Eyes of a Native: The Case of Turey el Taino |
| John A. Lent |
84-123 |
Fear [of] and Loafing [with] Ralph Steadman in Turkey |
| Natsu Onoda |
124-138 |
Drag Prince in Spotlight: Theatrical Cross-Dressing in Osamu Tezuka's Early Shojo Manga |
| Rik Sanders |
139-156 |
The Changing of Dutch Comics: Some Pluses and Minuses |
| Waldomiro VergueiroLucimar Ribeiro Mutarelli |
157-167 |
Forging a Sustainable Comics Industry: A Case Study on Graphic Novels as a Viable Format for Developing Countries, Based on the Work of a Brazilian Artist |
| William H. Foster III |
168-185 |
The Image of Blacks (African Americans) in Underground Comix: New Liberal Agenda or Same Racist Stereotypes? |
| Christopher Murray |
186-208 |
Superman vs Imago: Superheroes, Lacan, and Mediated Identity |
| Reiko Tomii |
209-223 |
Akasegawa Genpei's The Sakura Illustrated: When the Good Old Man Makes a Dead Tree Flower and the Bad Old Man Throws a Fire Bomb |
| Maurice Horn |
224-228 |
The Lady, or the Dragon? |
| Richard Ostrom |
229-240 |
Bali's Transition from a Traditional to a Modern Society: Some Op-Art Warnings about the Trade-offs |
| Michael L. Maynard |
241-260 |
Friendly Fantasies in Japanese Advertising: Persuading Japanese Teens through Cartoonish Art |
| A. David Lewis |
261-275 |
The Secret, Untold Relationship of Biblical Midrash and Comic Book Retcon |
| Jae-Woong Kwon |
276-286 |
Korean Cartoonists' Reactions to Bush's "Axis of Evil" |
| John A. Lent |
287-291 |
Larry Alcala and the Depiction of Filipinos As They Are |
| Wendy Kail |
292-314 |
Clifford K. Berryman: Drawing The Line |
| Hong-Chi Shiau |
315-326 |
American Imported Animation in Taiwan: A Case Study of South Park |
| John A. Lent |
327-329 |
The Printed Word |
| Marc Singer Charles Hatfield Rocco Versaci Mark Rogers Jeff Williams Michael Rhode A. David Lewis |
330-352 |
Book Reviews |
| Michael Rhode |
353-354 |
Exhibition Review |
| Gene Kannenberg, Jr. Michael Rhode |
355-358 |
Critical Closure |
|
359-368 |
Portfolio |
| Vol. 5, No. 1, Spring 2003 |
| John A. Lent |
1-2 |
Editor's Note |
| [Pioneers of Comic Art Scholarship Series] |
| David Kunzle |
3-7 |
Kunzle and the Comic Strip |
| Sture Hegerfors |
8-20 |
Sture Hegerfors and Swedish Comics Scholarship |
| M. Thomas Inge |
21-30 |
Portrait of the Professor as a Failed Cartoonist |
| Ana Merino |
31-73 |
Gary Groth and Kim Thompson: Interviews with the Heart of the Alternative Comics Industry |
|
|
|
| Fredrik Stromberg |
74-94 |
Swedish Comics and Comics in Sweden |
| Jigal Beez |
95-114 |
They Are Crazy These Swahili: Komredi Kipepe in the Footsteps of Asterix; Globalization in East African Comics |
| Nhu-Hoa NguyenPhilippe Sohet |
115-133 |
Social Criticism in a Singular Mode of Expression: The Art of New Realist Cartoonist Chantal Montellier |
| Allen DouglasFedwa Malti-Douglas |
134-146 |
Tardi and Daeninckx: Comic Strips, Detective Novels, and World War I |
| Deborah Shamoon |
147-160 |
Focalization and Narrative Voice in the Novels and Comics of Uchida Shungiku |
| Natsu Onoda |
161-194 |
Tezuka Osamu and the Star System |
| Brad Prager |
195-213 |
Modernism in the Contemporary Graphic Novel: Chris Ware and the Age of Mechanical Reproduction |
| M. Thomas Inge |
214-219 |
William Faulkner and the Graphic Novel |
| Hector D. Fernandez L'Hoeste |
220-230 |
The Mystery of Kaliman, el Hombre Increible: Race and Identity in Mexican Comics |
| Richard Ostrom |
231-243 |
The changed Function of Political Cartoonists in Indonesia: From Challenging a Repressive Regime to Promoting Democratic Reforms |
| Kenneth D. Nordin |
244-255 |
The Editorial Comic Art of Clay Bennett |
| John A. Lent |
256-289 |
Cartooning in malaysia and Singapore: The Same, but Different |
| Ron Provencher |
290-291 |
Remembering "The Chief," Rejab Had: Cartoonist, Story Teller, Teacher, and Philosopher |
| Muliyadi Mahamood |
292-304 |
An Overview of malaysian Contemporary Cartoons |
| Mel Gibson |
305-324 |
"You Can't Read Them, They're for Boys!" British Girls, American Superhero Comics and Identity |
| Chetan Desai |
325-333 |
The Krishna Conspiracy |
| Craig Fischer |
334-354 |
Fantastic Fascism? Jack Kirby, Nazi Aesthetics, and Klaus Theweleit's Male Fantasies |
| Live Action Cartoonists |
355-365 |
Have Markers, Will Travel: Live-Action Cartoonists in the Age of Multimedia Performances and Online Comics |
| Martha H. Kennedy |
366-373 |
Early Creative Responses to 9-11 by Comic Artists: Panelists Share Personal Experiences |
| John A. Lent |
374-376 |
The Printed Word |
| David Kunzle |
377-384 |
Review Essay |
| David Kunzle Leonard Rifas Marc Singer |
385-393 |
Book Reviews |
| Bart Beaty Maurice Horn Jennifer Wood Michael Hill Michael Rhode |
394-405 |
Exhibition / Festival Reviews and Report |
| Gene Kannenberg, Jr. |
406-407 |
Critical Closure |
|
408-426 |
Portfolio |
| Vol. 5, No. 2, Fall 2003 |
| John A. Lent |
i |
Editor's Note |
| [Spanish Comics: A Symposim] |
| Ana Merino |
3-4 |
Introduction |
| Viviane Alary |
5-27 |
Briefness in Spanish Comics: A Few Landmarks |
| Manuel Barrero |
28-49 |
The Evolution of Children's Comics in Spain |
| Jesus Jimenez Varea |
50-65 |
You Can Never Win: An Analysis of Comic Strips by the Spanish Cartoonist Penarroya |
| Anne Magnussen |
66-84 |
Spanish Comics and Family |
| Pedro Perez del Solar |
85-101 |
Old Fashions for New Times: El Desencanto in Spanish Comics |
| Juan Garcia Cerrada |
102-109 |
The Graphic Humor Program of the General Foundation of the University of Alcala |
| Miguel Alejo |
110-118 |
Chumy Chumez: The Work of Jose Maria Gonzalez Castrillo |
| Ernesto J. and Gabriel E. Abad |
119-137 |
Cels Pinol: The Comics Fan and The Author |
| Alvaro Pons |
138-153 |
Between Avant-garde and Commerciality: The Dichotomy of New Alternative Publishing Companies in Spain |
|
|
|
| Kenneth D. Nordin |
154-167 |
Cartoonist Dick Locher in Retrospect: His Life and Work |
| Bart Beaty |
168-183 |
The Contemporary Field of European Comics: The Example of Lewis Trondheim |
| Wai-ming Ng |
184-193 |
Japanese Elements in Hong Kong Comics: History, Art, and Industry |
| Muliyadi Mahamood |
194-204 |
Japanese Style in Malaysian Comics and Cartoons |
| [Pioneers of Comic Art Scholarship Series] |
| Bill Blackbeard |
205-215 |
The Four Color Paper Trail: A Look Back |
| Fusami Ogi |
216-232 |
Shimizu Isao: A Pioneer in Japanese Comics (Manga) Scholarship |
| Sol M. Davidson |
233-240 |
Culture &the Comic Strips |
| Donald Ault |
241-260 |
In the Trenches, Taking the Heat: Confessions of a Comics Professor |
|
|
|
| Benjamin F. Towle |
261-280 |
An Examination of Historiography in the Comics Medium |
| Joseph Witek |
281-295 |
Long Form/Short Form: Narrative Strategies of Some 9/11 Comics |
| A. David Lewis |
296-311 |
One for the Ages: Barbara Gordon and the (Il-)Logic of Comic Book Age-Dating |
| Tomas Prokupek |
312-338 |
Czech Comics |
| Brian Cremins |
339-350 |
"I Asked for Water (She Gave Me Gasoline)": Tim Truman's Scout and Social Satire in the Independent Comics of the 1980s |
| John A. Lent and Xu Ying |
351-366 |
Chinese Women Cartoonists: Historical and Contemporary Perspectives |
| Christopher Murray,Joyce A. Walker, andDouglas Webster |
367-391 |
My Mouth Is Quiet, but My Mind Is Noisy: The Work of John Watson |
| Jason Tondro |
392-424 |
Angel Passage: An Edition Lyris by Alan Moore |
| Kinko Ito |
425-436 |
Japanese Ladies' Comics as Agents of Socialization: The Lessons They Teach |
| John A. Lent |
437-440 |
The Printed Word |
| David Kunzle |
441-449 |
Review Essay |
| David Berona |
450-452 |
Book Review |
| Mark David Nevins,Christian Hill,Susannah Mandel,Marc SingerMartha H. Kennedy |
453-467 |
Exhibitions Reviews |
| Gene Kannenberg, Jr. |
468-469 |
Critical Closure |
| John A. Lent |
470-483 |
Tootin' Our Own Horn |
| Jae-Woong Kwon, John A. Lent |
484-519 |
International Journal of Comic Art Index, Volumes 1-5 (1999-2003) |
|
520-526 |
Portfolio |
| Vol. 6, No. 1, Spring 2004 |
| Christian Hill |
1-17 |
Narrative Aesthetics of Time and Space in the Comics Series, Broussaille, by Frank and Bom |
| Clare Tufts |
18-36 |
Vincent Krassousky - Nazi Collaborator or Naive Cartoonist? |
| Adam Cathcart |
37-55 |
Cruel Resurrection: Chinese Comics and the Korean War |
| John A. Lent |
56-76 |
India's Amar Chitra Katha: "Fictionalized" History or the Real Story? |
| Jigal Beez |
77-95 |
Katuni Za Miujuza: Fantastic Comics from East Africa |
| Levi Obonyo |
96-116 |
Cartoonists in Kenya: Past, Present, and Future |
| Bert Hansen |
117-147 |
True-Adventure Comic Books and American Popular Culture in the 1940s: An Annotated Research Bibliography of the Medical Heroes |
| Hector D. Fernandez L'Hoeste |
148-162 |
Vladdo, Aleida, and the Politics of Gender in War-Torn Colombia |
| Jeffrey F. Taffet |
163-190 |
Selling the Alliance: US Propaganda vs. Chilean Editorial Cartons during the 1960s |
| David R. Spencer |
191-220 |
The Trojan Horse: Free Trade, the Americans, and Canadian Political Cartoonists, 1849-1879 |
| Marco Tulio Vilela / Waldomiro Vergueiro |
221-235 |
The Brazilian X-Men: How Brazilian Artists Have Created Stories That Stan Lee Does Not Know About |
| Marc Singer |
236-249 |
Unwrapping The Birth Caul: Word, Performance, and Image in the Comics Text |
| Masao Yokota |
250-265 |
Satoshi Kon's Transition from Comics to Animation |
| Jeffrey Miller |
266-280 |
A Response to Kobayashi Yoshinori's On Taiwan |
| Sueen Noh |
281-298 |
The Gendered Comics Market in Korea: An Overview of Korean Girls' Comics, Soonjung Manhwa |
| David A. Berona |
299-315 |
Pumping Iron: Male Stereotypes in Delisle's Albert et les Autres |
| Kent Worcester (Transcribed) |
316-328 |
Words and Pictures in the Classroom: A Symposium |
| Daiwon Hyun |
329-339 |
Promoting the Digital Content Industry in Korea, Focusing on Exporting Animation |
| John A. Lent |
340-343 |
The Printed Word |
| Craig Fisher / Mark C. Rogers / Charles Hatfield / Michael Rhode |
344-357 |
Book Reviews |
| David A. Berona / Ron Stewart / Michael Rhode / Trina Robbins / Michel Kempeneers |
358-367 |
Exhibition Reviews |
| Gene Kannenberg, Jr |
368-372 |
Critical Closure |
|
373-379 |
Portfolio |
| Vol. 6, No. 2, Fall 2004 |
| Patch Adams, MD |
1-29 |
My Life as a Cartoon Character |
| Fabio Gadducci |
30-77 |
Notes on the Early Decades of Italian Comic Art |
| Maurice Horn |
78-89 |
Guido Crepax: A Memorial Tribute |
| Harlen Makemson |
90-117 |
Private Vice and Public Virture: Political Cartoons as "Opprobrious Discourse" Against Grover Cleveland During the 1884 Presidential Campaign |
| Karon Reinboth Speckman |
118-137 |
The Bush-Blair Duo Before 2003 Iraqi War: Cartoons from London Newspapers |
| Leonard Rifas |
138-171 |
Globalizing Comic Books from Below: How Manga Came to America |
| Matthias Schneider(trans. Annette Gentz) |
172-181 |
Der Fuehrer's Animation -- Animation and Propaganda in the German Reich |
| Kathrin Bower |
182-194 |
Holocaust Avengers: From "The Master Race" to Magneto |
| Pascal Lefevre |
195-204 |
The Cold War and Belgian Comics (1945-1991) |
| Joel E. Vessels |
205-221 |
What Your Children Are Reading |
| Fabrice Leroy / Livio Belloi |
222-237 |
The Cartoonist as Iconoclast: Flaubertian Irony and Media Parody in Pierre La Police's Comics |
| Dominique Le Duc |
238-253 |
XX1st Century Graphic Novels: A Voyage with Edmond Baudoin |
| Marc Weidenbaum |
254-265 |
The Maestro of Belleville: Benoit Charest |
| Barbara Postema |
266-272 |
Memories That Don't Weaken: Seth and Walter Benjamin |
| David Ehrlich |
273-284 |
An Interview with Dan Mitsui, Dartmouth College's Graphic Novelist |
| Edward Portnoy |
285-303 |
Follow My Nose: Self-Caricature in Cartoons of the Yiddish Press |
| Jose Alaniz |
304-324 |
Supercrip: Disability and the Marvel Silver Age Superhero |
| Tim Blackmore |
325-349 |
300 AND TWO: Frank Miller and Daniel Ford Interpret Herodotus's Thermopylae Myth |
| Stephen Rauch |
350-363 |
"We Have All Been Sentenced": Language as Means of Control in Grant Morrison's Invisibles |
| James Bucky Carter |
364-375 |
"There'll Be Others Converging": Fighting American, The Other, and "Governing" Bodies |
| Masao Yokota |
376-391 |
A Master Animator: Yasuji Mori's Works for Children |
| Kinko Ito |
392-403 |
Growing Up Japanese Reading Manga |
| Vivian Zenari |
404-414 |
Sluts for a Story: Narrative and Comics in Patricia Seaman's New Motor Queen City |
| Lim Cheng Tju |
415-430 |
Chop Suey -- Cartoons about the Japanese Occupation and National Education in Singapore |
| Carmen Moran |
431-444 |
Allies Cartoon Humor in World War II: A Comparison of "Willie and Joe" and "Bluey and Curley" |
| Mark T. Rusch |
445-455 |
The Deranged Episode: Ironic Dissimulation in the Domestic Scenes of Edward Gorey's Short Stories |
| John A. Lent |
456-457 |
The Printed Word |
| A. David Lewis / Ana Merino |
458-463 |
Book Reviews |
| Ivy Garlitz / Roger Sabin / Michael Rhode / Stephen Rauch |
464-471 |
Exhibition Reviews |
| Gene Kannenberg, Jr. |
472-476 |
Critical Closure |
|
477-483 |
Portfolio |
| Vol. 7, No. 1, Spring 2005 |
| John A. Lent |
1 |
Will Eisner (1917-2005), a Friend of Comics Scholarship |
| [Late/Post-Soviet Russian Komiks: A Symposium]edited by Jose Alaniz |
| Jose Alaniz |
5-21 |
Introduction or, Why I Call Them Komiks |
| Vitor Erofeyev (Jose Alaniz) |
22-38 |
Comics and the Comics Disease |
| Denis Chekalov (Jose Alaniz) |
39-55 |
Comics: The World, If You Blink Slowly |
| Oleg Semenyuk (Jose Alaniz) |
56-63 |
Comics Art in the USSR: A Short Overview (1917-1985) |
| Philippe Morin |
64-66 |
Komiks and Russian Youth Culture |
| Ivan Mitrevski |
67-74 |
Russian Komiks and the Internet "Underground" |
| (Seth Graham) |
75-94 |
Comics in Education: Are They Useful? A Roundtable prepared by Svetlana Masimova |
|
95-102 |
Interview: Andrei Snegirov |
|
103-109 |
Interview: The Tema Studio |
| Jose Alaniz |
110-125 |
The "Quintessentially Russian" Komiks of Zhora Litichevsky |
| Margo Bistis |
126-148 |
Bad Art: The Decline of Academic Art in the Caricatural Salon |
| Brandon W. Bollom &Shawn N. Mckinney |
149-179 |
Alphonse Marie Mucha: Posters, Panels...and Comics Books? |
| Eric A. Holmes |
180-187 |
Horror, Crime, and Red Dupes: The Agitative Rhetoric of Entertaining Comics |
| Monica Fontana |
188-205 |
From a Figure on the Left to a Caricature of the Right: Changes in the Public Image of Lula |
| Hector D. Fernandez L'Hoeste |
206-229 |
Flopi Bach: A Benevolent Misogyny? |
| Richard De Angelis |
230-249 |
Of Mice and Vermin: Animals as Absent Referent in Art Spiegelman's Maus |
| Lyombe Eko |
250-269 |
Beasts of No Nation: African Satirical Press "Re-Presentations" of Political Leaders in the Post-Cold War Era |
| Matthew T. Jones |
270-286 |
Reflexivity in Comic Art |
| Rob Lendrum |
287-303 |
Queering Super-Manhood: Superhero Masculinity, Camp and Public Relations as a Textual Framework |
| Hector D. Fernandez L'Hoeste |
304-316 |
How To Face Neoliberalism and Make It as a Mexican Cartoonist: Oscar Gonzalez Loyo and the ka-Boom! Experience |
| [Asian Animation, Online Cartooning, and Gaming: A Symposium] edited by John A. Lent |
| John A. Lent |
319 |
Introduction |
| Jae-Woong Kwon |
320-350 |
New Type of Popular Culture in the Internet Age: An Analysis of the Korean Essay Cartoon |
| Seungmin Song |
351-259 |
Korean Independent Animation: Its Origin and Meaning |
| Jia Jia |
360-388 |
Female Subject Animated: A Case Study of Digital Online Animation in Contemporary China |
| Hu Tze Yue |
389-403 |
Japanese Independent Animation: Fuyu no hi and its Exclusivity |
| Qi Wang |
404-421 |
Troubled Identities at Borderland -- Fantasy about the Past and the Future in Anime |
| Juhanita Jiman |
422-431 |
Malaysian Animation Industry: The History, Development, and Collective Efforts To Set Up a Global and Recognizable Animation Standard |
| Anthony Fung |
432-448 |
Hong Kong as the Asian and Chinese Distributor of Pokemon |
| Wan-Wen Day |
449-461 |
Being Part of Digital Hollywood: Taiwan's Online Gaming &3D Animation Industry Under the New International Division of Cultural Labor |
| John A. Lent |
462-472 |
Cartooning in Reunion, with Special Reference to the Work of Serge and Appollo |
| Anita K. McDaniel |
473-484 |
Dave Sim on Guys |
| Francisco Tadeo Juan (Dere Petrey) |
485-503 |
The Valencia School: Pioneer of Spanish Comic Strips |
| Myra Partridge |
504-512 |
Webtoonists: Making a Living Online |
| Sol M. Davidson |
513-529 |
Games People Play in the Comic Strips |
| Annalisa Di Liddo |
530-545 |
Transcending Comics: Crossing the Boundaries of the Medium in Alan Moore and Eddie Campbell's Snakes and Ladders |
| Jake Black |
546-552 |
Flop of Steel: Why "It's a Bird, It's a Plane, It's Superman" Did Not Fly Over Broadway |
| John A. Lent |
553-556 |
The Printed Word |
| Trina RobbinsPatric RosenkranzDavid A. Berona |
557-562 |
Book Reviews |
| Bart BeatyMichael HillNick ThorelsonMichael Rhode |
563-572 |
Exhibition Reviews |
| Gene Kannenberg, Jr. |
573-577 |
Critical Closure |
|
578 |
Portfolio |
| Vol. 7, No. 2, Fall 2005 |
| [Pioneers of Comic Art Scholarship Series, Part IV]edited by John A. Lent |
| R. C. Harvey |
3-43 |
It's Not My Fault Confessions of a Comics Junkie. Or, How I Became a Crazed Fanatic About Cartooning, Its History and Lore |
| John A. Lent |
44-46 |
Armand Mattelart and How To Read Donald Duck |
| Fusami Ogi |
47-67 |
Katayori Mitsugu: A Pioneer of Manga Studies in Japan Before and After the War |
| Randall W. Scott |
68-77 |
Beginnings and Landmarks: The Comic Art Collection at the Michigan State University Libraries and My Career |
| Richard Langlois (Randall W. Scott) |
78-88 |
Pioneer in the Teaching of Bande Dessinee (Comic Art and Narrative) in Canad |
| John A. Lent and Xu Ying |
89-125 |
Cartooning and China’s “Cultural Revolution” |
| Louise C. Larsen |
126-146 |
The Flight of the Forehead in the Third Reich: The Political Satire of Hans Bendix |
| Janusz Kazmierczak |
147-163 |
Raymond Williams and Cartoons: From Churchill’s Cigar to Cultural History |
| Yamile Regalado Someillan |
164-197 |
Visual Culture and the New Cuban Man: Examining a Core Force of the Cuban Revolution, 1959-1963 |
| Claudia Sanchez and Richard I. Parker |
198-224 |
Cultural Values in Latin American and U.S. Superhero Comics: A Text Analysis |
| Jerry Robinson |
225-235 |
The Ultimate Fantasy |
| Neil Cohn |
236-248 |
Un-Defining “Comics”: Separating the Cultural from the Structural in Comics” |
| Thierry Smolderen |
249-261 |
Thackery and Topffer: The Weimaer Connection |
| Eric A. Holmes |
262-272 |
Solidification, Hidden Guilts and “The Prude”: EC’s Agitative Rhetoric Continued |
| Chunhyo Kim and John A. Lent |
273-282 |
The Inside and Outside Worlds of North Korean Animation |
| Chris Murray |
283-310 |
Noble Enterprises: Strip for Me and the British Small Press |
| Stephen E. Kercher |
311-311 |
Cartoons as “Weapons of Wit”: Bill Mauldin and Herbert Block Take on America’s Postwar Anti-communist Crusade |
| Flavio Mario De Alcantara Calazans (Kenzi Tomoa) |
321-339 |
From the “Cricket” (Grilo) to the “Cockroach” (Barata): Visual Poetics in the Brazilian Comics (European BD + Japanese Manga and USA Underground Comix) |
| Sol M. Davidson |
340-357 |
The Funnies’ Neglected Branch: Special Purpose Comics |
| Julia Round |
358-369 |
Fragmented Identity: The Superhero Condition |
| Thomas Alan Holmes |
370-374 |
Warren Ellis’ “Shoot” and Media Passivity |
| Brian Ruh |
375-398 |
Creating “Amateur” Manga in the US: Pedagogy, Professionalism, and Authenticity |
| John A. Lent |
395-400 |
The Printed Word |
| Craig Fischer |
401-403 |
Book Reviews |
| Steven M. Bergson Marc Weidenbaum Michael Rhode Meisha Rosenberg Ana Merino |
404-412 |
Exhibition Reviews |
|
413 |
Portfolio |
| Vol. 8, No. 1, Spring 2006 |
| Noelle P. Bradley |
1 |
Masks That Reveal: Social Inequality in J.-J. Grandville's Les Metamorphoses du Jour (1828-1829) |
| Leonard Rifas |
17 |
"Especially Dr. Hilde L. Mosse": Wertham's Research Collaborator |
| Carolyn Wong |
45 |
Learning about My Grandfather |
| John A. Lent |
71 |
The Richness of African Cartooning: A Secret Far Too Long |
| Jigal Beez |
114 |
Winners, Cheats, and witches: East African Soccer Cartoons |
| John A. Lent |
137 |
Life of a Cartoonist in one of Kenya's Worst Slums. Drawing by Rough (Rafael Opany) |
| Jose Alaniz |
145 |
Caricature and Incarceration: The Case of Slava Sysoev |
| [Ever-Ending Battle: A Symposuim]edited by A. David Lewis |
| A.David Lewis |
163 |
Ever-Ending Battle |
| Edward Brunner |
174 |
Death and the Maiden: Milton Caniff's Pre-War Anti-Elegiac War Elegy |
| Arnold T. Blumberg |
197 |
"The Night Gwen Stacy Died": The End of Innocence and the "Last Gasp of the Silver Age" |
| Abraham Kawa |
212 |
The Universe She Died In: The Death and Lives of Gwen Stacy |
| Jose Alaniz |
234 |
Death and the Superhero: The Silver Age and Beyond |
| Wilbur Farley |
249 |
"The Disease Resumes Its March to Darkness": The Death of Captain Marvel and the Metastasis of Empire |
| William Duffy |
258 |
Sing Muse, of the Immortal Hero: Using Epic To Understand Comic Books |
| Michael Niederhausen |
271 |
Deconstructing Crisis on Infinite Earths: Grant Morrison's Animal Man, JLA: Earth 2, and Flex Mentallo |
| Nuh-Hoa Nguyen |
283 |
The Rhetoric of Omission in Comic Art |
| Caitlin E. Pantos |
301 |
La Donna Di Carta Guido Crepax's Valentina and the Dream of Italian Female Emancipation |
| Hector D. Fernandez L'Hoeste |
346 |
Beyond Just Gender On The World of Maitena Burundarena |
| Ana Merino Translation by Derek Petrey |
362 |
Variable Identities in the Mexican Comic-Strip: Don Catarino in the Stereotypical Space of the Cannibals |
| Frank Verano |
378 |
Spectacular Consumption: Visuality, Production, and the Consumption of the Comics Page |
| Matthew T. Jones |
388 |
Fiend on Film: Edwin S. Porter's Adaptation of Dreams of the Rarebit Fiend |
| Jeff McLaughlin |
412 |
9-11-01: Truth, Justice and Comic Books |
| Ryan Holmberg |
426 |
For Your Words, I Shall Rip Out Your Tongue: Shirato Sanpei and the Talking Head of Manga |
| Chang-de Liu |
456 |
Negative Impact of Digital Technologies on Artists: A Case Study of Taiwanese Cartoonists and Illustrators |
| Michael van Dyk |
466 |
Turkey's Soprano of Cartooning -- Selma Emiroglu-Aykan |
| Vicki Karaminas |
498 |
"No Capes!" Uber Fashion and How "Luck Favors the Prepared": Constructing Contemporary Superhero Identities in American Popular Culture |
| Mark C. Rogers |
509 |
Understanding Production: The Stylistic Impact of Artisan and Industrial Methods |
| Delphine Carron |
518 |
Paul Auster's City of Glass: From Word to Picture |
| Nancy Hudson-Rodd and Sundar Ramanathaiyer |
532 |
Cartooning the Iraq War: No Laughing Matter |
| Cord Scott |
546 |
The "Good" Comics: Ising Comic Books To Teach History |
| John A. Lent |
562 |
The Printed Word |
| David A.BeronaHarvey PekarMartha H. KennedyJessica Milner DavisMichael RhodeMarc Singer |
567 |
Book Reviews |
| Christian HillRon StewartLotta FjelkegardAaron KashtanMartha H. KennedyBarbara PostemaNick ThorkelsonPhilip Sandjfer |
579 |
Exhibition Reviews |
| John A. Lent |
607 |
The Story Behind the Cartoon |
|
608 |
Portfolio |
| Vol. 8, No. 2, Fall 2006 |
| John A. Lent |
1 |
Ediotr's Note |
| C Hill |
6 |
Marjane Satrapi Interviewed, August 24, 2003 |
| Wood-hung Lee and Yomei Shaw |
34 |
A Textual Comparison of Japanese and Chinese Editions of Manga: Translation as Cultural Hybridization |
| Marco Pellitteri |
56 |
Manga in Italy History of a Powerful Cultural Hybridization |
| Ron Stewart |
77 |
An Australian Cartoonist in 19th Century Japan: Frank A. Nankivell and the Beginnings of Modern Japanese Comic Art |
| Amy Kiste Nyberg |
98 |
Theorizing Comics Journalism |
| Stephan Packard |
113 |
Reflections of the Cartoon |
| Michael Rhode |
126 |
Harvey Pekar at the 2005 Small Press Expo |
| Hector D. Fernandez L'Hoeste |
163 |
On Angels, Drugs, and Trade: Edgar Clement's Operacion Bolivar |
| Ozge Samanc |
181 |
Lynda Barry's Humor: At the Juncture of Private and Public, Invitation and Dissemination, Childish and Professional |
| Sol M. Davidson |
200 |
Love Affair with a Unique Medium: Big Little Books |
| Katrina D. Thompson |
228 |
The Stereotype in Tanzania Comics: Swahili and the Ethnic Other |
| Kristin L. Matthews |
248 |
The ABCs of Mad Magazine: Reading, Citizenship, and Cold War America |
| Marc Singer |
269 |
"A Serious House on Serious Earth": Rehabilitating Arkham Asylum |
| Ed Ross |
283 |
The Representation of Immigrants and Immigration in UK Political Cartoons from 1968 to 2005 |
| Jose Alaniz |
307 |
Speaking the "Truth" of Sex: Moore &Gebbie's Lost Girls |
| Frank Verano |
319 |
Invisible Spectacles, Invisible Limits: Grant Morrison, Situationist Theory, and Real Unrealities |
| Clark Farmer |
330 |
Comic Book Color and the Digital Revolution |
| Fang Cheng |
347 |
What Is Humor? |
| Racial Identity: A Mini Symposium |
| Dale Jacobs |
363 |
Ho Che Anderson Interview |
| Neil Shyminsky |
387 |
Mutant Readers, Reading Mutants: Appropriation, Assimilation, and the X-Men |
| Matthew Diebler |
406 |
"I;m Not One of Them Anymore": Marvel's X-Men and the Loss of Minority (Racial) Identity |
| William H. Foster III |
414 |
Do We Still Have To Be Black? Comic Book Creators Discuss Racial Identity |
|
430 |
Corrections |
| John A. Lent |
432 |
The Printed Word |
| Jose AlanizLeonard Rifas |
436 |
Book Reviews |
| Michael Rhode |
445 |
Exhibition and Media Reviews |
| Jose AlanizFrancesco CasoloCraig FischerMichael RhodeTrina RobbinsRoger SabinRandall W. ScottNick Thorkelson |
447 |
Exhibition Reviews |
| John A. Lent |
497 |
The Story Behind the Cartoon(s) |
|
500 |
Portfolio |
| Vol. 9, No. 1, Spring 2007 |
| [Kibyoshi: The World's First Comicbook?]edited by Adam L. Kern |
| Adam L. Kern |
3 |
The Kibyoshi: Japan's Eighteenth-Century Comicbook for Adults |
| Glynne Walley |
33 |
Kyokutei Bakin's Buy My Candy and I'll Give you a Kite Story |
| Ivan Grail |
61 |
The Truly Un-Canny Samurai: Classical Literature and Parody in the Kibyoshi |
| William Fleming |
79 |
The Tao of Kibyoshi: Santo Kyoden's Zhuang-zi: The Licensed Edition |
| Kristin H. Williams |
119 |
Cerisscrossed Confucianism: Images of Edo as a Virtuous Dystopia |
| William Burton |
135 |
Fantastic Travel as Utopia or Dystopia in Edo Period Illustrated-Fiction |
| Akiko Walley With a Translation by Akiko Walley and Glynne Walley |
157 |
Through the Looking-Glass: Reflections on Kibyoshi Illustrations in Kishida Toho's Comicbook Chronicle |
| Florencia Paula Levin |
198 |
Politics Seen Through the Prism of Humor in the Argentinean Democratic Transition of 1973: Landru and Ian |
| Kyle D. Wegner |
231 |
Lalo Alcaraz's "La Cucaracha" "Normalizes" chicanos |
| David R. Spencer |
262 |
The Press and the Spanish American War: Political Cartoons of the Yellow Journalism Age |
| Jay Casey |
281 |
The Dynamics of Quiet Heroism and Invisible Death In American Soldier Cartoons of the World Wars |
| Pascal Lefevre |
296 |
The Unresolved Past: Repercussions of World War II in Belgian Comics |
| Karna Mustaqim |
311 |
Mumbling Our Comics: An Overview of Indonesial Comic Books' Condition |
| Anne Reef |
332 |
The Art of Darkness: Repression and Its Expression in J. M. Coetzee's Waiting for the Barbarians, Athol Fugard's Tsotsi, and Sue Coe and Holly Metz's How To Commit Suicide in South Africa |
| Maren Dick |
353 |
Sneaky, Sinister, and Scapegoated: Chinese Immigration and Exclusion as Represented in The Wasp, 1877-1889 |
| [Cartooning in Australia: Asymposium]edited by John A. Lent |
| John A. Lent |
378 |
Introduction |
| Vane Lindesay |
380 |
The Rise and Demise of the Australian Comic Strip |
| Michael Hill |
411 |
The Graphic Expression of the Lives, Obsessions, and objections of Small Press Sick Puppies and Scat(ology) Cats: A Short Survey of Some Aspects of Australian Alternative Comics 1990-2000 |
| Vicki Karaminas |
438 |
Australian Gothic: Black Light Angels, Fashion, and Subcultural Style |
| Rolf Heimann |
453 |
Ned Kelly -- Australian Cartoonists' Favorite Idiom |
| Lindsay Foyle |
460 |
An Essay: The Life and Death of the Larrikin Image |
| Roman Rosenbaum |
468 |
Australia and Symbolic Representation in the "Cartoon Controversy" |
| Barbara Postema |
487 |
Draw a Thousand Words: Signification and Narration in Comics Images |
| Dale Jacobs |
502 |
Beyond Visual Rhetoric: Multimodal Rhetoric and Newspaper Comic Strips |
| Massimo REpetti |
515 |
African "Ligne Claire": The Comics of Francophone Africa |
| Jigal Beez |
542 |
The Swahili Titanic: The Tanzanian Appropriation of a Global Tragedy |
| Edward Whatley |
554 |
"In the Crooked Shadows of Wildwood Cemetery": Will Eisner's The Spirit and the Gothic Tradition |
| Robert S. Petersen |
578 |
The Acoustics of Manga: Narrative Erotics and the Visual Presence of Sound |
| Roman Rosenbaum |
591 |
Motomiya Hiroshi's The Conuntry Is Burning |
| Anna Notaro |
610 |
"Innocence Is Life": Searching for the Post-Human Soul in Ghost in the Shell 2 |
| Domingos Isabelinho |
625 |
Matt Marriott: The Western with a Human Face |
| Alfonz Lengyel |
640 |
Liao Bingxiong (1915-2006) |
| Fang Cheng |
644 |
Long Live, Brother Bing! |
| Liao Bingxiong Translated by Xu ying |
647 |
Speaking Out on Going To Make a Will |
| John A. LentXu Ying |
650 |
Liao Bingxiong: "A Chinese Style Man with Universal Values" |
| Vesna Dovnikovic |
668 |
Croatian Animation Today |
| Borivoj Dovnikovic Bordo |
672 |
My Work in Animation |
| Michael J. Lecker |
679 |
"Why Can't I Be Just Like Everyone Else?": A Queer Reading of the X-Men |
| Anita K. Mcdaniel |
688 |
Negotiating Life Spaces: Has Marriage Marginalized Storm? |
| John A. Lent |
703 |
The Printed Word |
| Michael Rhode |
707 |
Book ReviewsJohn A. Lent's Comic Art Bibliographies: An Appreciation |
| K.A. Laity |
710 |
Moomin Book One: The Complete Tove jansson |
| Michael Rhode |
712 |
Exhibition Reviews |
| Michael Rhode |
715 |
Enduring Outrage: Editorial Cartoons by Herblock and Cartoon America: Highlights from the Art Wood Collection of Cartoon and Caricature |
| A. David Lewis |
722 |
Black and White and Read All Over: Comic Art and Artists |
| Pascal Lefevre |
723 |
Le Monde de Franquin |
| Michael Rhode |
726 |
Simplicissimus and the Empire 1896-1914 |
| Trina Robbins |
729 |
The Rejection Collection: Not in the New Yorker Cartoons |
| Craig FischerMichael Rhode |
730 |
Masters of American Cartoons -- Two Reviews |
| Michael Rhode |
738 |
Superheores: Good and Evil in American Comics |
| Jenny Robb |
740 |
Resources: An Updating The ohio State University Cartoon Research Library Turns 30 |
| Randall W.Scott |
743 |
comic Art Collection at Michigan State University Libraries 2006 Report |
| John A. Lent |
745 |
The Story Behind the Cartoon(s) |
| Cartoons byGodfrey Mwampembwafan LintaoWinfried BesslichMohamed HakemEsmail EffatXu PengfeiHabib HaddadMassoud Shojai Tabatabei,Jozef SchekRolf HeimannQi Jianhua |
748 |
Portfolio |
| Vol. 9, No. 2, Fall 2007 |
| John A. Lent |
1 |
Editor's Note |
| [Gallery Comics: A Symposium]edited by C Hill |
| C Hill |
6 |
Gallery Comics: The Beginnings |
| Joanna Roche |
13 |
Gallery Comics: Contemporary Contexts |
| Andrei Molotiu |
24 |
Permanent Ink: Comic Book and Comic Strip Original Art as Aesthetic Object |
| Mark Staff Brandl |
43 |
Panels, Covers, and Viewers: My Mongrels of Painting, Installation, and Comics |
| Maurice Horn |
58 |
Comics and Cinema: The Beginnings (1896-1913) |
| Mark K. McKinney |
68 |
Georges Remi's Legacy: Between Half-Hidden History, Modern Myth, and Mass Marketing |
| Adam Rosenblatt |
81 |
The Making and Remaking of El Eternauta |
| Roberto Elisio dos Santos |
93 |
Humor Comics in Brazil: A Study of the Production of the Circo Editorial |
| Rodrigo Baeza |
118 |
Obituary Roberto Fontanarrosa (1944-2007) |
| Interview with Nicoletta Fagiolo |
121 |
Zapiro's Weapons of Mass Destruction |
| [Egyptian Cartooning: A Symposium]edited by John A. Lent |
| John A. Lent |
140 |
Egyptian Cartooning: An Overview |
| Rania M.R. Saleh |
187 |
Political Cartoons in Egypt |
| Abdelghani Jbara with John A. Lent |
226 |
Using Comics in Development in the Arab World: Prospects and Impediments |
| Mohamed Hamdy Hamed Ahmed |
243 |
Sarcasm in the View of the Ancient Egyptian |
| Jon C. Gordon |
248 |
John Miller Baer: congressman-Cartoonist |
| Ann Miller |
258 |
Postcolonial Identities |
| Woody Woodis |
275 |
Caricature in French Political Cartoons |
| Scott R. Schoner |
288 |
A Survey of Doughboy Humor in World War I |
| Julia Round |
316 |
Visual Perspective and Narrative Voice in Comics: Redegining Literary Terminology |
| Martin de la Iglesia |
330 |
An Essay Geographical Classification in Comics |
| Christophe L. Dony |
340 |
Trauma, Identity and Memory: The Individual/Collective Dialectic in 9/11-related Comics |
| Matthew T. Jones |
373 |
Construction of Social Memory through Strategies of Reflexivity: A Case Study in Three Texts by Art Spiegelman |
| Meisha Rosenberg |
396 |
Multimodality in Phoebe Gloeckner's Diary of a Teenage Girl |
| Randall W. Scott |
413 |
European Western Comics: A Kind of Round-Up |
| Marco Pellitteri |
425 |
Pornography and Sinaesthesia in Manga: Multi-sensorial Reception of Eros in Japanese Comics |
| Herbeth L. Fondevilla |
441 |
Contemplating the Identity of Manga in the Philippines |
| Sueen Noh |
454 |
"To Be or Not to Be, That Is the Question": What Is Happening with Korean Comics, (Manhwa), Today? |
| Fang Cheng |
478 |
Fang Cheng's Theories on Humor and Cartooning |
| David Beard with Katelyn Hoa Vo Thi-Beard |
511 |
Silver Age in Hidden Places: The Other Orgin of Brainiac |
| John A. Lent |
518 |
The Printed Word |
| Sol M. DavidsonPascal LefevrePhillip TroutmanDavid A. BeronaMatthew J. SmithJohn A. LentGert Meesters |
525 |
Book Reviews |
| Vanessa Rane |
551 |
Review Essay |
| Michael RhodeK.A. LaityRichard GrahamClare PitkethlyPhillip TroutmanDavid RobertsonMartha H. KennedyMichael HillMeisha RosenbergJose AlanizMatthias WivelVanessa RaneyRon Stewart |
561 |
Exhibition and Media Reviews |
|
632 |
Letters |
|
635 |
Resources |
|
637 |
Correction |
|
638 |
Portfolio |
| Vol. 10, No. 1, Spring 2008 |
| [Biff! Bam!! Crikey!!!]A Comics Conference In Scotland, 2007Compiled and edited by Christopher Murrary |
| Christopher Murray |
3 |
Introduction |
| Section 1: Gazooks! Comics in Scotland |
| Matthew Jarron |
9 |
1.1 Before The Beano -- The Prehistory of Dundee Comics |
| John ChalmersSandra Marrs |
18 |
1.2 Meeting with metaphrog |
| Section 2: Wizard! Moore, Morrison, and Superhero Comics |
| Julia Round |
24 |
2.1 London's Calling: Alternate Worlds and the city as Superhero in Contemporary British-American Comics |
| Shaum Manning |
32 |
2.2 Language and Fiction in the Creation of Reality in The Invisibles |
| Section 3: Zoinks! Comics, Politics and Identity |
| Peter Hughes Jachimiak |
39 |
3.1 " D'You Wanna be In My Gang?": Boys' Comics, Club Membership, and a "Tribal Britain" |
| Nicole Devarenne |
48 |
3.1 "A Language Heroically Commensurate with His Body": nationalism, Fascism, and the Language of the Superhero Comic |
| Section 4: Zap! Comics and Other Media |
| Anna Zanfei |
55 |
4.1 Defining Webcomics and Graphic Novels |
| Brian Hoyle |
62 |
4.2 Irresponsible Pictures: Questions of Adaptation and Morality in the comic and Film Versions of Road to Perdition |
| Kevin Corstorphine |
68 |
4.3 Killer7 and Comic Book Aesthetics in Contemporary Video Games |
|
74 |
Contributors |
| John A. LentXu Ying |
76 |
Cartooning and Wartime China: Part One -- 1931-1945 |
| Adam Cathcart |
140 |
Atrocities, Insults, and "Jeep Girls": Depictions of the U.S. Military in China, 1945-1949 |
| Todd S. Munson |
155 |
Dangerous! China and Xenophobic Comics in Contemporary Japan |
| Helen Yu-Rivera |
174 |
Drawing the Line Between Racism and Political Correctness: Filipino Editorial Cartoonists Reconsider the Japanese |
| Ryan Holmberg |
200 |
Let We Go: An Interview with Hiroki Otsuka |
| Joseph Witek |
218 |
American Comics Criticism and the Problem of Dual Address |
| Robert S. Petersen |
226 |
Metamorphosis of the Phylactery: changes in Emanata from the Medieval Times through the 18th Century |
| orion ussner Kidder |
248 |
Show and Tell: Notes Towards a Theory of Metacomics |
| Benjamin Woo |
268 |
EssayAn Age- Old Problem: problematics of Comic Book Historiography |
| Pedro Perez del Solar |
280 |
"A Fuhrer's Day": Comics and Politics of Memory in 1980s Spain |
| Hector Fernandez L'Hoeste |
298 |
Amid nation and Empire: Puerto Rico's El Antillano and Its Interactive Cuadernos |
| Mike Kelly |
313 |
Ary Spiegelman and His Circle: new York City Comix and the Downtown Scene |
| Luc D. Guglielmi |
340 |
The Fantastic in the Work of jean-Claude Servais |
| John A. Lent |
352 |
Cartooning, Public Crises, and Conscientization: Aglobal Perspective |
| Matthew Blake |
387 |
Political and Promotional Conceptions in Woody Guthrie's People's World Cartoons |
| Jose Alaniz |
407 |
"Rutting in Free-Fall": Moore and Bissette/Zulli's "Act of Faith" |
| Janis :. Edward |
120 |
Visualizing the Face of Domestic Terrorism in Editorial Cartoons: Transforming a Stereotype |
| Lindsay Foyle |
433 |
Essay Australian Politics and "Cartoon Bias" |
| Hamish Ironside |
438 |
Alan Guppy and "Stone de Croze" |
| Louis Gordon |
452 |
EssayJewish Graphic Gangster |
| Joseph J. Darowski |
461 |
It's A bid, It's a Plane, it's ... Synthesis: Superman, Clark Kent, and Hegel's Dialectic |
| R. J. Gregov |
471 |
The Re-illustration of Comic Book Heroes |
| Muhammed Shahriar Haque |
482 |
"Kee's World": Reflections of Evolving Identity |
| Luiu Hong YingTang Min |
513 |
Finance Cartoons: A Way of Reviving Chinese Press Cartoons |
| Peter Walton |
522 |
The "Archaic Mother" in Charles Burns' Black Hole: A Psychoanalytic Reading |
| Eileen Akin |
535 |
Resource My Beloved Cartoonists: original Cartoon Art from Fred Waring's America |
| Zheng Huagai |
543 |
He Was Such a Kind Person -- Eulogistic Comments on Chinese Cartoonist Wang Fuyang, 1935-2008 |
| John A LentXu Ying |
553 |
Editors' Remembrances of Wang Fuyang |
| John A. Lent |
554 |
The Printed Word |
| David A. BeronaJohn A. LentMarc SingerJeff GeersMatthew J. SmithSteven M. Bergson |
559 |
Book Reviews |
| Michael RhodeTrina RobbinsJose AlanizBobby Kuechenmeister |
580 |
Exhibition Reviews |
|
592 |
Letters |
|
593 |
Portfolio |
| Vol. 10, No. 2, Spring 2008 |
| John A. Lent |
1 |
Celebrating 10 Years of Continuous Publication: Taking Stock |
| [Women and Cartooning: A Global Symposium] edited by John A. Lent |
| John A. Lent |
6 |
Introduction |
| Marlene Pohle |
10 |
17 Women Cartoonists + One |
| Vicki Karaminas |
33 |
"There's a Bug in My Ink Bottle":The Graphic Art of Australian Women -- Greenberg, Graber, and Ord |
| Martha H. Kennedy |
45 |
A Self-Selected Sisterhood: Women Cartoonists Represented in the Library of Congress Collections |
| Ana Merino |
70 |
Feminine Territoriality: Reflections on the Impact of the Underground and Post-Underground |
| Trina Robbins |
89 |
Wonder Woman: Queer Appeal |
| Trina Robbins |
95 |
Here Are the Great Women Comics Artists of the United States! |
| Jill S. Katz |
101 |
Women and Mainstream Comic Books |
| Fusami Ogi |
148 |
Shojo Manga(Japanese Comics for Girls) in the 1970s' Japan as a Message to Women's Bodies: Interviewing Keiko Takemiya -- A Leading Artist of the Year 24 Flower Group |
| Fusami Ogi |
170 |
Hana yori dango(Boys over Flowers) as a Trans-National Comics for Girls beyond Japan |
| Kinko Ito |
186 |
The Touching and the Sensual in Japanese Ladies' Comics: An Interview with Asako Shiomi |
| Kinko Ito |
199 |
Masako Watanabe: 50 Years of Making Girls’ and Ladies’ Comics in Japan |
| Sueen Noh |
209 |
Science, Technology, and Women Represented in Korean Sci-Fi Girls' Comics |
| Raquel Orzuj |
235 |
Female Cartoonists in Uruguay |
| Nicky Heron Brown |
242 |
Major Malcolm Wheeler-Nicholson, Cartoon Character or Real Life Hero? Correcting Hajdu's The Ten Cent Plague |
| Lisa Brooten |
254 |
Burmese Political Cartoons and the Transnational Public Sphere in Times of Crisis |
| Allen Douglas andFedwa Malti-Douglas |
282 |
From the Algerian War to the Armenian Massacres: Memory, Trauma, and Medicine in Petit Polioof Farid Fedwa Malti-Douglas Boudjellal |
| Asai Motofumi |
308 |
Barefoot Gen, Japan, and I: The Hiroshima Legacy: An Interview with Nakazawa Keiji |
| Timothy Perper andMartha Cornog |
328 |
" Never Said I Was a Boy": Utena, Arita Forland, and the (Non) Phallic Woman |
| Roman Rosenbaum |
354 |
Mizuki Shigeru's Pacific War |
| Luke Arnott |
380 |
BLAM!The Literal Architecture of Sin City |
| Matthias Schneider |
402 |
un regard moderne |
| Seetha Srinivasan |
416 |
Publishing on Comics and Comics Culture at University Press of Mississippi |
| Bi Keguan |
421 |
Why I Research Chinese Cartoon History |
| Susan Honeyman |
437 |
Transforming Segar's Progressive Everyman into Fleischer's Depression-Era Supersalesman: The Hidden Powers of Popeye's Spinach |
| Joel T. Terranova |
451 |
Art of Killing -- The Literary Merits of Johnny the Homicidal Maniac |
| Arcadio Esquivel Mayorga |
468 |
Graphic Humor in Costa Rica: A Cartoonist's Experience |
| Jorge L. Catala Carrasco |
495 |
Costumbrismoand Cubanity in Rafael Fornes |
| Sol M. Davidson |
519 |
Educational Comics: A Family Tree |
| Jorge Salgueiro |
581 |
Synesthesia and Onomatopoeia in Graphic Literature |
| Juan Meneses |
598 |
A Bakhtinian Approach to Two Graphic Novels: The Individual in Art Spiegelman's Mausand Chester Brown's Louis Riel |
| Gorg Mallia |
607 |
Satirical Cartoons in Malta |
| Alan Fern |
621 |
An Evening with Jules Feiffer |
| Frank Hoffmann |
627 |
Some Thoughts on Germany and the Art of the Cartoon |
| Brian Swafford |
632 |
The Death of Captain America: An Open-ended Allegorical Reading of Marvel Comics' Civil WarStoryline |
| Cord Scott |
649 |
The Return of the War Comic: A Revival of Military Themes and Characters in Comic Books |
| Nadilson Manoel da Silva |
660 |
Mauricio de Souza and the Development of the Market For Children in Brazilian Comics: A Turma da Monica (Monica's Gang) |
| Carolyn Wong |
669 |
Huang Yao and His Cartoon, "Niu Bizi," in China, 1934-1947 |
| Lingling Pan |
694 |
Post-Liberation History of China's Lianhuanhua(Pictorial Books) |
| John A. Lent andHong-Chi Shiau |
718 |
Seeking Inwards, Looking Outwards: Taiwanese Cartoonists' Quest To Transcend Japanese Influences |
| Christophe Cassiau-Haurie |
737 |
Comic Books in the Indian Ocean: Between Openness and Isolation |
| Rania M.R. Saleh |
746 |
What Inflamed the Iraq War? The Perspectives of American Cartoonists |
| John A. Lent |
788 |
The Printed Word |
| Louis GorgonMichael Rhode |
794 |
Book Reviews / Review Essay: Isaac Cates |
Matt Wuerker
David A. Berona
Michael Rhode
Trina Robbins
Leonard Rifas
Cord Scott
Sean P. Connors
Benjamin Woo
David Robertson
Ofer Berenstein
Jose Alaniz |
806 |
Exhibition Reviews |
| John A. Lent |
862 |
The Story Behind the Cartoon |
| Jenny E. Robb |
866 |
International Museum of Cartoon Art To Move to Ohio State Cartoon Research Library |
| Leonard Rifas |
868 |
Letters |
| Vol. 11, No.1, Spring 2009 |
Czech Comics: A Symposium |
José Alaniz |
7 |
Introduction: A Czech Patchwork |
Tomáš Prokůk and Renáta Skřebská |
21 |
Ladislav Vlodek and The Globe |
Tomáš Prokůk |
34 |
Pérák and Spring Heeled Jack: From Prague Avenger to London Ghost and Back Again |
Tomáš Pospiszyl |
45 |
Bohumil Konečný: An Unwilling Comics Artist |
Helena Diesning |
51 |
Kája Saudek: The King of Czech Comics |
Martha Kuhlman |
63 |
Time Machine: Rudiš/Jaromír 99’s Wilson Main Train Station |
Lisa Mangum |
74 |
František Skála, or Deep Into the Enchanted Bohemian Woods |
|
|
|
Prtricia Breccia |
80 |
Remembrances of My Father, Alberto Breccia |
Mark David Nevins |
90 |
High Art at the Drive-In: An Interview with Robert Williams |
Valérie Agosta-Ives |
113 |
Salomon Assus (1950-1919). Humoristic Postcards as a Powerful Visual Medium Transcending Ethnic and Gender Issues in Early 1900s’ French Algeria |
David Kunzle |
135 |
Gary Larson and the World Upside Down |
David Robertson |
158 |
Scotland’s Comics Master, Ian Kennedy: An Interview |
Ben Little |
182 |
Constructing the Reader’s Perspective in V for Vendetta |
David R. Spencer |
203 |
No Laughing Matter: 19th Century Editorial Cartoons and the Business of Race |
Héctor Fernández L’Hoeste |
229 |
From Mexifornia to Newyorktitlan: East vs. West Meets the Mexican Tradition |
Waldomiro Vergueiro and Roberto Elísio dos Santos |
247 |
Crás! Comic Book: Brazilian Comics and the Publishing Industry |
Derek Parker Royal |
262 |
To Be Continued…: Serialization and Its Discontent in the Recent Comics of Gilbert Hernandez |
Jigal Beez |
281 |
Cartoons as Pop Idols: The “Sani Star Search” Contest in Tanzania |
William H. Foster III |
294 |
Langston Hughes’s “Jesse B. Simple” and Ollie Harrington’s “Bootsie”: Cartoons and Stories That Preserve the Voice of the African American Everyman |
John A. Lent |
307 |
Cartooning in Cyprus: Small Is Beautiful |
Jason Tondro |
320 |
Spenser and the Comics Critic |
Roy Bearden-White |
347 |
Closing the Gap: Examining the Invisible Sign in Graphic Narratives |
Pauline Uchmanowicz |
363 |
Graphic Novel Decoded: Towards a Poetics of Comics |
Marco Pellitteri |
386 |
Three Italian Authors Who Know the Formulas of Success: Gnone, Canepa, and Barbucci: From W.I.T.C.H. to Sky Doll, to the Fantasy Novel, and Again to the Monster Allergy Comics |
José Alaniz |
396 |
Masculinity and the Superhero in Post-Soviet Russian Comics |
Travis Langley |
426 |
Freedom versus Security: The Basic Human Dilemma from 9/11 to Marvel’s Civil War |
Richard A. Becker |
436 |
The Crisis of Confidence in Comics Adaptations: Why Comics Are So Rarely Faithfully Adapted to the Big Screen |
Robert G. Weiner |
457 |
Sequential Art and Reality: Yes, Virginia, There is a Spider-Man |
John A. Lent |
478 |
The Printed Word |
|
484 |
Book Reviews |
|
551 |
Exhibition Reviews |
|
568 |
International Journal of Comic Art Index, Volumes 1-10 (1999-2008) |
|
662 |
Portfolio |
| Vol. 11, No.2, Fall 2009 |
Indian Cartooning Symposium Edited by John A. Lent |
John A. Lent |
3 |
An Illustrated History of Indian Political Cartooning |
Karline McLain |
26 |
Vivalok Comics: Celebrating All That Is Small in India |
Gokul T. G. |
44 |
G. Aravindan’s “Small Men and the Big World”: Re-Defining the “Comic” in the Strip |
Shevlin Sebastian |
53 |
Making People Laugh: Toms and K. J. Yesudasan, Premier Cartoonists in Kerala, India |
|
|
|
Rodosław Bolałek |
59 |
The Most Popular Polish Comics (1957-1989) |
Paul Cheng |
88 |
The Smartest Comic on Earth: Metafiction in Chris Ware’s Acme Novelty Library #16 |
Clodualdo del Mundo, Jr. |
103 |
Lessons My Father Taught Me about Komiks |
Marla Harris |
119 |
“Sex and the City”: The Graphic Novel Series Aya as West African Comedy of Manners |
Bram Draper |
136 |
Sandino and Other Superheroes: The Function of Comic Books in Revolutionary Nicaragua |
Julie A. Davis |
176 |
Both Everyman and Other: “Dilbert” as an Exemplar of Newspaper Comics’ Simultaneous Identification and Distance |
John A. Lent and Xu Ying |
195 |
Chronicler of Most of a Century: Cartoonist Ding Cong (1916-2009) |
Gregory N. Daugherty |
208 |
“The Greatest Story Every Drawn!” Cleopatra in American Comics |
Jean-Marie Bertin |
231 |
Press Cartoons in France: A Short History |
Joel Vessels |
272 |
Vive la France, Now Who Are We? Bande Dessinée, the 16 July 1949 Law, and the Political Re-imagining of Post-World War II France |
Kim Munson |
283 |
Beyond High and Low: How Comics and Museums Learned to Co-exist |
Patti Luedecke |
299 |
Affect and the Body in Melville’s “Bartleby” and Jillian Tamakin and Mariko Tamaki’s Skim |
|
322 |
Working Around Words: Rauf talishinsky’s Azerbaijani Web Cartoons |
Benjamin Stevens |
336 |
Drawn to Distraction: Comics Reading in Kevin Huizenga’s “Lost and Found” |
Gêisa Fernandes D’Oliveira |
350 |
From Bumpkin to Belssed – Comics and National Identity: A Brazilian Case Study |
Jeff McLaughlin |
364 |
Comic Book Artists and Writers and Philosophers |
Charles Natoli |
372 |
The Spirit Passes: The Second Coming of the Comic Strip’s Golden Age |
Isaac Cates |
380 |
“How to Draw Thinking” Panel, Small Press Expo, Rockville, MD, Oct. 14, 2006 |
Murray Lee Eiland |
396 |
From Cartoon Art to Child Pornography |
Connie Lam |
410 |
Hong Kong Manhua after the Millennium |
Maaheen Ahmed |
421 |
Moebius, Gir, Giraud, Gérard: Self-Visualizations |
Jamie Egolf |
432 |
Political Commentary and Dissent in the Tapestry and the Cartoon Strip |
John A. Lent |
447 |
The Printed Word |
|
455 |
Book Reviews |
|
472 |
Exhibition and Media Reviews |
|
515 |
Portfolio |
| Vol. 12, No.1, Spring 2010 |
Biography of Authors |
Kees Ribbens |
1 |
World War II in European Comics: National Representations of Global Conflict in Popular Historical Culture |
Warat Karuchit |
34 |
The Renaissance of Thai Knowledge Cartoons |
Peter M. Coogan |
50 |
From Love to Money: The First Decade of Comics Fandom |
John A. Lent and Xu Ying |
68 |
Workers-Specific Comic Art of China: Worker’s Cartoon Group (Beijing) and Frog Cartoon Group (Qiu County, Hebei) |
Maaheen Ahmed |
103 |
Fallen Angels and Shattered Skies: Rejected Conventions in Yslaire’s Could 99 (XXe Ciel) |
Giulio C. Cuccolini |
124 |
A Two-sided Narration through Words and Images |
Héctor Fernández L’Hoeste |
135 |
Edgar Clément’s “The Sword of God”: On The Practice of Hybridization in Mexican Comics |
William Boerman-Cornell |
147 |
History Is Relatives: Educational Affordances of the Graphic Novel in The Magical Life of Long Tack Sam |
Airel Kahn |
157 |
Between Eros and Thanatos: Death and Desire in the Short Fiction of Koren Shadmi and Rutu Modan |
Tony Venezia |
183 |
Archives, Alan Moore, and the Historio-Graphic Novel |
Ana G. Gal |
200 |
The Social Modes of Heroization and Vilification in Stoker’s Dracula, a Graphic Novel by Roy Thomas and Dick Giordano |
Sarita G. |
215 |
Remembering the Relics: Study of Select Comic Books That Trace the Roots of India’s Cultural Inheritance |
Sol M. Davidson |
243 |
Have Comics, Will Travel: Two Hobbies, One Great Journey |
John Otu |
275 |
Nigerian Cartooning and the Dearth of Female Cartoonists |
Geoffrey Moses |
288 |
“What a Life!” Carl Barks’ Donald Duck as Nervous Modern |
Jeremy Stoll |
302 |
A Domestic Schizophrenia: Gender and Political Cartoons in the Middle East |
Robert G. Weiner |
323 |
Portrayal of Nurses and Marvel Comics’ Night Nurse |
A. David Lewis |
337 |
New Jerusalem Postponed: Revelation and Darnall & Ross’s Uncle Sam |
Bob Britten |
355 |
Picturing Terror: Visual and Verbal Rhetoric in The 9/11 Report Graphic Adaptation |
Aaron Clayton |
370 |
Bloody Hell: Realism in American War Comics |
Jessica Kowalik |
388 |
Miller Misunderstood: Rethinking the Politics of “The Dark Knight” |
Andy Smith |
401 |
The Ephemeral Nature of Everything: A Conversation with Art Spiegelman |
Marguerite Imbert |
410 |
The Spirit of Animation: An Interview with Jules Feiffer |
Roman Rosenbaum |
415 |
Tezuka Osamu: Adolf – Towards a Historio-graphic Novel |
Andrew Yang |
435 |
The Two Japans of “Spirited Away” |
Asif Iqbal |
453 |
Origins and Status of Pakistani Animation |
Wai-Ming Ng |
460 |
The Consumption and Perception of Japanese ACG (Animation-Comic-Game) among Yong People in Hong Kong |
John A. Lent |
478 |
The Printed Word |
Derek Parker Royal |
483 |
Four Recent Guides to Graphic Novels |
|
493 |
Book Reviews |
|
507 |
Exhibition and Media Reviews |
|
529 |
Portfolio |
| Vol. 12, No.2, Fall 2010 |
John A. Lent |
1 |
Editor's Note |
Fabrice Leroy |
2 |
Yves Chaland and Lue Cornillon's Rewriting of Classical Belgian Comics in Captivant: From Graphic Homage to Implicit Criticism |
| Giancarla Unser-Schutz |
25 |
Exploring the Role of Language in Manga: Text Types, Their Usages, and Their Distributions |
| Rick Marschall |
44 |
Nurturing the Butterfly: My Life in Comic Art Studies |
| Derik A. Badman |
91 |
Talking, Thinking, and Seeing in Pictures: Narration, Focalization, and Ocularization in Comics Narratives |
| Enrique Garcia |
112 |
Coon Imagery in Will Eisner's The Spirit and Yolanda Vargas Dulché's Memín Pinguín and Its Legacy in the Contemporary United States and Mexican Comic Book Industries |
| Kerry Soper |
125 |
From Jive Crows in “Dumbo” to Bumbazine and “Pogo”: Walt Kelly and the Conflicted Politics Reracinating African American Types in Mid-20th Century Comics |
| Robert Furlong and Christophe Cassiau-Haurie |
150 |
Comic Books, Politics, and Manipulation: The Case of Repiblik Zanimo, the First Comic Strip and Book in Creole |
| Grazyna Gajewsk |
159 |
Between History and Memory – Marzi: Children Should Be Seen and Not Heard Marzena Sowa and Sylvain Savoia |
| Matthew M. Chew and Lu Chen |
171 |
Media Institutional Contexts of the Emergence and Development of Xinmanhua in China |
| Jörn Ahrens |
192 |
The Father's Art of Crime: Igort's 5 Is the Perfect Number |
| Marco Pellitteri |
209 |
Comics Reading and Attitudes of Openness toward the Other: The Italian-Speaking Teenagers' Case in South Tyrol |
| Iren Ozgur |
248 |
Have You Heard the One about the Islamist Humor Magazine? |
| Weidan Cao |
251 |
The Mountains and the Moon, the Willows and the Swallows: A Hybrid Semiotic Analysis of Feng Zikai’s “New Paintings for Old Poems” |
| Candida Rifkind |
268 |
A Stranger in an Strange Land? Guy Delisle Redraws the Travelogue |
| Daniel Stein |
291 |
The Long Shadow of Wilhelm Busch: “Max & Moritz” and German Comics |
| Hannah Miodrag |
309 |
Fragmented Text: The Spatial Arrangement of Words in Comics |
| Christopher Eklund |
328 |
Toward an Ethicoaesthetics of Comics: A Critical Manifesto |
| Muliyadi Mahamood |
336 |
The Malaysian Humor Magazine Gila-Gila: An Appreciation |
| Roy Bearden-White |
354 |
Inheriting Trauma in Chris Ware's Jimmy Corrigan: The Smartest Kid on Earth |
| Philippe Gauthier |
367 |
On “Institutionalization”: From Cinema to Comics |
| Marc A. Londo |
376 |
Mr. Tap and His African-American Cartoons of the 1940s/1950s |
| Marcia R. Ristaino |
395 |
Two Linked by Another, Ding Cong: Interviews with Betty McIntosh and Shen Jun |
| Shelley Drake Hawks |
402 |
Ding Cong’s “True Story of Ah Q” in Art and Life |
| John A. Lent and Xu Ying |
425 |
Fengjing – The Town That Claimed Ding Cong |
| Phillip Troutman |
432 |
The Discourse of Comics Scholarship: A Rhetorical Analysis of Research Article Introductions |
| Ross Murray |
445 |
Referencing Comics: A Comprehensive Citation Guide |
| Sylvain Rheault |
459 |
Curvy Alterations in “Gaston” by Franquin |
| Miriam Peña-Pimentel |
469 |
Baroque Features in Japanese Hentai |
| Yuko Nakamura |
487 |
What Does the “Sky” Say? – Distinctive Characteristics of Manga and What the Sky Represents in It |
| B.S. Jamuna |
509 |
Strategic Positioning and Re-presentations of Women in Indian Comics |
| Meena Ahmed |
525 |
Exploring the Dimensions of Political Cartoons: A Case Study of Pakistan |
| Camila Figueiredo |
543 |
Tunes Across Media: The Intermedial Transposition of Music in Watchmen |
| Rania M. R. Saleh |
552 |
Making History Come Alive Through Political Cartoons |
| Bill Kartalopoulos |
565 |
Taking and Making Liberties: Narratives of Comics History |
| Toni Masdiono |
577 |
An Indonesian Bid for the First Graphic Novel |
| John A. Lent |
581 |
In Remembrance of Five Major Comic Art Personalities |
| Perucho Mejia Garcia |
588 |
Ismael Roldan Torres (1964-2009) of Colombia: A Memorial Tribute |
| Zheng Huagai |
598 |
Tributes to Two Famous, Anti-Japanese War Cartoonists: Zhang Ding and Te Wei |
| John A. Lent |
614 |
The Printed Word |
| |
620 |
Book Reviews |
| |
644 |
Exhibition and Media Reviews |
| |
696 |
Correction |
| |
697 |
Portfolio |
| Vol. 13, No.1, Spring 2011 |
John Weeks |
3 |
Economics and Comics: Khmer Popular Culture in Changing Times |
| John Marston |
32 |
Im Sokha and Cambodian Satirical Cartoons |
| John A. Lent |
59 |
Uth Roeun, the “First” Cambodian Comic Book Author: An Interview |
| Chi Do Huu |
62 |
Comic Art in Vietnam: A Brief History |
| Dean Wilson |
87 |
Vietnam: Animation Is Everywhere |
| Masashi Ichiki |
109 |
Embracing the Victimhood: A History of A-bomb Manga in Japan |
| Mark McKinney |
127 |
Redrawing the Franco-Algerian Affrontier in Là-bas |
| Konstantinos Tzikas |
153 |
Dissecting the Antiheroine: The Sexual Trangressions and Transfigurations of the Morally Ambiguous Heroine in Comics |
| Rachel Marie-Crane Williams |
176 |
The Cartoons of Norman Ethre Jennett and the North Carolina Election of 1898 |
| Jorge L. Catalá Carrasco |
208 |
Cuban Humor Magazines and Comics during the Special Period |
| José Alaniz |
235 |
“Serious” Comics Adaptations of the Classics in the Late Soviet Era: Askol’d Akishin’s A Chronicle of Military Actions |
| Brian Cremins |
249 |
Depersonalization, Mysticism, and Mourning in John Porcellino's Perfect Example and Carrie McNinch's You Don't Get There from Here |
| Foo Tee-Tuan |
275 |
Reading Hong Kong Comics in the Heartlands of Singapore |
| Richard Scully |
291 |
Sex, Art, and the Victorian Cartoonist: Matthew Somerville Morgan in Victorian Britain and America |
| David Schilter and Zane Zajančkauska |
326 |
Latvian Komiksi |
| Joseph L. V. Donica |
340 |
“They Are Trying To Kill Us All”: The Ethics of Urban Space in Post-Disaster Graphic Narrative |
| Mark McLelland |
348 |
Thought Policing or Protection of Youth? Debate in Japan over the “Non-Existent Youth Bill” |
| Paweł Timofiejuk and Łukasz Szostak |
368 |
Polish Comics as Instruments of Propaganda |
| Kinga Kuczyńska |
385 |
Polish Comics – A World Without Women? |
| Kevin Patrick |
398 |
The Invisible Medium: Comics Studies in Australia |
| Josh Benton |
411 |
Divine Sparks: Magic and the Self in the Work of Alan Moore |
| Hannah Means-Shannon |
426 |
A Funeral for Achilles: Burying the Heroic Code in Watchmen |
| David Brame, David Kolin, Peter Chung, and Joyce Nyhof-Young |
441 |
Don’t Forget to Check Your Comics! Developing “Novel” Resources To Educate Young Men about Testicular Cancer |
| Phil Yeh |
458 |
Using Comics and Graphic Novels for Education to a Global Audience |
| Tom Gill |
474 |
The Incident at Nishibeta Village: A Classic Manga by Yoshiharu Tsuge from the Garo Years |
| Daniel Moreira de Sousa Pinna |
490 |
Symphony of the Braves: The First Years of Brazilian Animation |
| José Alaniz |
514 |
Chris Ware and “Autistic Realism” |
| Carmina Sanchez-del-Valle |
529 |
DMZ's Dystopic Manhattan: Loving the City, Killing the City |
| Nicoletta Preziosi |
551 |
The Several Lives of Persepolis in Italy: from the Stores to the Newsstands |
| Rania M.R. Saleh |
558 |
Has the U.S. Won the Iraq War? The Perspectives of American Cartoonists |
| Bernadette C. Bravo |
581 |
On Turning Japanese: The Impact of Anime on Philippine Pop Culture |
| Jon C. Gordon |
602 |
The Cartoons of Kobayashi Kiyochika |
| Armando Rotondi |
617 |
“Manga Musicals”: Comics and Serialized Theatre |
| Juhanita Jiman |
633 |
A Study of “Upin & Ipin”: Observing Their Roles in Promoting Positive Values in Children |
| Jonathan Rikard Brown |
644 |
I Am Robin: The Reader's Gateway into the World of The Dark Knight Returns |
| Travis Langley and Robin Rosenberg |
654 |
Reflections on the Psychopathy of the Joker: A Comic-Con Panel Report |
| Joost Pollmann |
677 |
Comics Anthropology |
| Fabiano Maggioni and Adair Caetano Peruzzolo |
685 |
The Violence Visualized in Cartoons: An Analysis of Plastic Meaning |
| John A. Lent |
701 |
India's Anant Pai, Cuba's Tomy, and the Philippines' Pablo Gomez: Some Remembrances |
| Maurice Horn |
714 |
Peirre Couperie: A Memorial |
| Tim Madigan |
716 |
Remembering Harvey Pekar |
| John A. Lent |
719 |
The Printed Word |
| |
723 |
Book Reviews |
| |
728 |
Exhibition and Media Reviews |
| Vol. 13, No.2, Fall 2011 |
Women's Manga beyond Japan:
Contemporary Comics as Cultural Crossroads in Asia
Edited by Fusami Ogi, Tju Lim, Jaqueline Berndt |
Fusami Ogi |
3 |
“Women’s Manga Beyond Japan: Contemporary Comics as Cultural Crossroads in Asia” |
| John A. Lent |
7 |
Yes, There Are Women Cartoonists: Snippets from Those I Have Interviewed |
| Fusami Ogi |
32 |
Inspiring Women: 40 Years' Transformation of Shôjo Manga and Women's Voices |
| CJ (Shige) Suzuki |
57 |
Envisioning Alternative Communities through a Popular Medium: Speculative Imagination in Hagio Moto's Girls' Comics |
| Ming Hung Alex Tu |
75 |
“Silent Music”: Desiring-machine and Femininity in Some Music-themed Comics |
| Fujimoto Yukari |
87 |
Historical Shôjo Manga: On Women's Alleged Dislike |
| Akiko Sugawa-Shimada |
103 |
Functions and Possibilities of Female “Essay Manga”: Resistance, Negotiation, and Pleasure |
| Kim Hyojin |
116 |
Crossing Double Borders: Korean Female Amateur Comics Artists in the Globalization of Japanese Dojin Culture |
| Dwinita Larasati |
134 |
So, How Was Your Day? The Emergence of Graphic Diary and Female Artists in Indonesia |
| Mashima Tojirakarn |
143 |
Why Thai Girls’ Manga Are Not “Shojo Manga”: Japanese Discourse and the Reality of Globalization |
| Gan Sheuo Hui |
164 |
Manga in Malaysia: An Approach to Its Current Hybridity through the Career of the Shojo Mangaka Kaoru |
| Angela Moreno Acosta |
179 |
Women “Using Manga to Tell Local Stories”: A Workshop on the ”Glocality” of Manga in Southeast Asia |
| Lim Cheng Tju |
198 |
Afterwords |
| Richard Samuel West |
200 |
My Life in Cartoons |
| Kevin Patrick |
219 |
The Contested Frontier: Western Comics and Australian Identity, 1945-1960 |
| David Spencer |
244 |
Ryan Walker, American Radical: A Date with History from the Bottom Up |
| Gregory Steirer |
263 |
The State of Comics Scholarship: Comics Studies and Disciplinarity |
| Hubert Kowalewski |
286 |
“Where the Joke Comes From”: Comical Potential of Comics in the Works of Tadeusz Barannowski |
| Héctor Fernández L'Hoeste |
313 |
Transnationalism and Hegemony amid a Very Uneven Modernity: On Arandú, El Principe de la Selva, and the Dynamics of the Mexican Comics Industry |
| Tom Gill |
325 |
Fetuses in the Sewer: A Comparative Study of Classic 1960s Manga Tatsumi Yoshihiro and Tsuge Yoshiharu |
| Mark McKinney |
344 |
The Colonial Beginnings of Autobiography |
| Kim Munson |
369 |
Censorship and Super Bodies: The Creative Odyssey of Margaret Harrison |
| Tom Miller |
393 |
“Those Guys Give Me the Creeps”: Grant Morrison’s Doom Patrol and Satire in the Shared-Narrative Universe |
| Melissa Olson |
417 |
The Hero and the Apocalypse in Watchmen and Buffy the Vampire Slayer: Season 8 |
Graphic Narrative and Global Ground:
A Symposium
Edited by Tracy Lassiter, Stefan Buchenberger, Guiherme Pereira with assistance of Lea Pao |
| Tracy Lassiter |
432 |
Introduction: “Graphic Narrative and Global Ground” |
| Hiroko Terai |
437 |
Disembodiment of Our Physical Bodies and Embodiment of Urban Space in Oshii Mamoru's Animations |
| Peter Swirski |
448 |
Freeze-Frame: The Vagaries of Textual Analysis, the Intentions of Art Spiegelman, and the Ascendancy of Nobrow art |
| Angelo Piepoli |
458 |
Sequential Art between Language and Textuality |
| Kai Mikkonen |
473 |
The Implicit Narrator in Comics: Transformations of Free Indirect Discourse in Two Graphic Adaptations of Madame Bovary |
| Tracy Lassiter |
488 |
Metafiction: The Graphic Novel Embedded in Laura Esquivel's Multimedia Novel The Law of Love |
| Barbara Grüning |
499 |
Narrating the Cities in Comics: The Case of Bologna |
| Sonja Faessler |
518 |
In Search of New Caledonian Comic Books: The Image of New Caledonian Society, the Growth of Cultural Consciousness, and the Movement towards Citizenship |
| Guilherme Choovanski |
529 |
Tex, Lone Wolf and Cub, and Preacher: Justice Wanders through Three Countries |
| Stefan Buchenberger |
539 |
Comic Book Super Villains and the Loss of Humanity |
| Richard Scully |
553 |
Mr. Punch versus the Kaiser, 1892-1898: Flashpoints of a Complex Relationship |
| Mark Bryant |
579 |
Vinegar not Vitriol: The Picture-Politics of Sir Francis Carruthers Gould (1844-1925) |
| Felipe Muanis |
599 |
Between Photography and Drawing: The Documentary Comics as Translation of the City |
| Todd S. Munson |
614 |
“A Sojourner Amongst Us”: Charles Wirgman and the Japan Punch |
| Daniel King |
627 |
Visual Transgressions and Queer Representations in Gaiman's A Game of You |
| John D. Schwetman |
642 |
Sympathetic Geography: Tropes of the Cityscape in Chris Ware's Jimmy Corrigan, the Smartest Kid on Earth |
| John A. Lent |
659 |
Reminiscences |
| Filomena Coching |
660 |
It Is an Honor To Be the Wife of Francisco V. Coching (Dean of Pilipino Illustrators) |
| Hugo Yonzon III |
668 |
Hugo C. Yonzon, Jr. |
| Ayisha Abraham |
674 |
India's Abu Abraham: A Private View |
| Kinko Ito |
679 |
Osamu Tezuka: His Life, Works, and Contributions to the History of Modern Japanese Comics |
| Jon LaCure |
700 |
Sailor Moon and Art Deco |
| Shayla Monroe |
714 |
Sex and Power in “Absent Friends”: An Essay |
| John Baird and Dana Newborn |
725 |
The Effect of Age on Comic Narrative Creation |
| John A. Lent |
739 |
The Printed Word |
| |
744 |
Exhibition and Media Reviews |
| Lim Cheng Tju |
749 |
A Response and an Observation |
| Vol. 14, No.1, Spring 2012 |
Comic Strips: An International Symposium
edited by John A. Lent |
| Ediliane de Oliveira Boff |
3 |
Until Death Do Them Apart: Gender Relations in the Brazilian Comic Strip “Radicci” |
| Michael Freund |
17 |
Funny Papers, Unfunny Wars: A Comparison of Three Armed Conflicts as Depicted in “Doonesbury” |
| John A. Lent |
35 |
Sanmao and Tokai: Popular Street Urchins of Asian Comic Strips |
| Sean P. Connors |
51 |
Lessons Learned: Milton Caniff’s “Dickie Dare” |
| Roy T Cook |
66 |
Schulz, “Peanuts,” and Metafiction |
| Pedro Pérez del Solar |
93 |
Stories of an Invisible War: Comics and the Peruvian “Internal Conflict” (1980-2000) |
| Michael Rhode and JTH Connor |
112 |
Graphic Tales of Cancer |
| Jennifer Babcock |
157 |
Ancient Egyptian ParodicOstraca and “Comics” |
| Dietrich Grünewald |
171 |
The Picture Story Principle |
| José Alaniz |
198 |
“A Groovy, Different Kind of Lay”: Sex, Disability, and Amputee Love |
| Peter Sandmark |
216 |
Tibetan Mysticism and the Development of Golden Age Superheroes |
| Kotaro Nakagaki |
236 |
Tibetan Mysticism and the Development of Golden Age Superheroes |
| Hannah Means-Shannon |
251 |
Strength and the Supernatural: Navigating Liminal Zones in the Herakles Tradition and Alan Moore’s Tom Strong |
| John A. Lent |
267 |
Reminiscences |
| Kosei Ono |
268 |
Saseo Ono in His NichiyoHochi Days |
| Xu Chang (Charles) / Translated by Xu Ying |
283 |
Recalling Ah Da |
| Wang Yiqian / Translated by Xu Ying |
292 |
Memory of the Past |
| Sheng Dalong / Translated by Xu Ying |
305 |
Recalling My Father Bit by Bit in His Daily Life |
| Zhan Yong / Translated by Xu Ying |
321 |
Recalling My Father -- Zhan Tong |
| He Ting / Translated by Xu Ying |
332 |
Farewell to My Father |
| Bill Schulte |
339 |
The Man Without Fear, a Time of Fear:A Review of Countercultural Themes in the First 100 Issues of Daredevil |
| Jose Alaniz |
360 |
“What Can We Ever Have to Fear From a Blind Man?!!” or Spoiled (Secret) Identities: Disability, Daredevil and Passing |
| Amna Ashraf and Naveed Iqbal Chaudhry |
376 |
Journalistic Comic Art of Pakistan: Coverage of the Kerry Lugar Bill 2009 |
Roberto Elísio dos Santos and
Waldomiro Vergueiro |
391 |
The Comic Book in Brazil: The Consolidation of a Publishing Format |
| Lucia Cedeira Serantes |
407 |
Comics in the Life of the Young Adult Reader: Understanding the Experience of Reading Comics in Contemporary Society |
| Jose Alaniz |
419 |
Tomáš Kučerovský Interview |
| Gerson Luís Pomari |
432 |
Lost in Translation --The Translations of Wilhelm Busch’s Illustrated Stories in Brazil |
| Justin Raymond |
463 |
“I Love the Mayhem More Than the Love: Homosocial Masculinity in Sgt. Fury and His Howling Commandos |
| Arlen Schumer |
474 |
The Auteur Theory of Comics |
| Barry Pearl |
485 |
Jack Kirby Makes an Auteur Detour |
| John A. Lent and Xu Ying |
492 |
Quan Yingsheng and the Blending of Traditional Chinese Painting with Comic Books |
| Leslie J. Anderson |
507 |
Myth and the Superhero: Personal Choice in Batman, Arkham Asylum: A Serious House on Serious Earth |
Kawamoto Kihachiro
Translated by Hiroko Takada Amick and Linda C. Ehrlich |
525 |
A Puppet´s Life |
| Cord Scott |
530 |
The Battles of Herbie, Willie and Joe: The Depiction of the Allied Soldier in World War II through Comic Illustration |
| Richard Iadonisi |
543 |
“A Man Has Risen”: Hard Bodies, Reaganism, and The Dark Knight Returns |
| Lim Cheng Tju |
554 |
An Interview with Malaysia’s Political Cartoonist Zunar |
| John A. Lent |
562 |
The Printed Word |
| Review and interview by Pedro Moura |
566 |
La composition de la bandedessinée.
Renaud Chavanne (PLG: Montrouge 2010) |
| |
595 |
Book Reviews |
| |
604 |
Exhibition and Media Reviews |
| John A. Lent and Xu Ying |
623 |
He Wei (1934-2012) |
| |
626 |
Portfolio |
| Vol. 14, No.2, Fall 2012 |
| Brannon Costello |
1 |
The Futurama Isn’t What it Used to Be: Embodiment and the “Real Thing” in Howard Chaykin’s Time |
| Michael Dean |
23 |
A Path Through Time: A Close Reading of Jim Steranko’s “At the Stroke of Midnight” |
| Daniel L. Werneck |
58 |
Decoding Laerte: “Minotaur Handbook” and the Politics of Gender |
| Brittany Tullis |
77 |
Paco Roca’s Arrugas, Miguel Ángel Gallardo’s María y yo, and the Impact of Social Comics in Contemporary Spain |
| Kent Worcester |
90 |
Making Stories Real and Concrete: An Interview with Nick Thorkelson |
| Richard Scully |
120 |
Constructing the Colossus: The Origins of Linley Sambourne’s Greatest Punch Cartoon |
| Kane Anderson |
143 |
V for Occupy: Transmedial Theatricality, V for Vendetta, and the Occupy Movement |
| Tom Gill |
169 |
“Chiko,” “A View of the Seaside,” and “Mister Ben of the Igloo”: Visual and Verbal Narrative Technique in Three Classic Manga by Yoshiharu Tsuge |
| Frederick Wright |
191 |
Watching Watchmen: The Reading of Motion Comics |
| Darren Harris-Fain |
200 |
It Rhymes with Bust: The Failure of the St. John Picture Novels |
| Boaz N. Adler |
214 |
Illustrative Lives in Spanish: Mexican Comic Books about Scientists as Inspiration for Science Education |
| Frenchy Lunning |
225 |
The Kyara, the Shôjo, and the Strange Trace |
| ©William McGrath |
239 |
Grace Drayton, a Children’s Illustrator Who Also Portrayed Young Women -- a Biographical Sketch |
| Kim Munson |
264 |
Revisiting “The Comic Art Show” |
| Shannon Lawson |
289 |
The Artifice of Representation: Vestiges of Orientalism in The Rabbi’s Cat |
| Bryan E. Vizzini |
306 |
Lightning Comics’ Tod Holton, Super Green Beret: American Exceptionalism in Vietnam |
| N. C. Christopher Couch |
314 |
We Shouldn’t Even Have to Say Comics Deserve Respect:Comparative Perspectives on Teaching Sequential Art |
| Cara Takakjian |
332 |
Gipi and the Continuation of the Neorealist Tradition in Italian Graphic Novels |
| Lawrence Rodman |
348 |
The Wolverton Bible and Other Visions |
| Maggie E. Morris Davis |
360 |
Reframe, Reframe: An Adaptation Study of Benjamin Percy, Danica Novgorodoff, and the Iraq War |
| Holger Briel |
368 |
The Drawn-Out Diaspora: Manga on the Shores of the Other |
| Muliyadi Mahamood |
385 |
An Evening with Lat and Malaysian Cartoonists |
| Su Feng and LuoXiaoyi |
393 |
The Mode of World Animation Education and Development Mechanism |
| Dan Mazur |
419 |
The Boston Comics Roundtable and the Creating of a Comics Community: A Case Study |
| John Offerman Sindall |
437 |
Q-Collection Comic Book Preservation Project |
| Phil Yeh |
446 |
Cartoonists Across America & the World: A New Direction for Our Global Literacy Campaign |
Richard Scully |
460 |
Mr. Punch Versus the Kaiser, 1892-1898: Flashpoints of a Complex Relationship, Part II -- Photographing “Wilful Wilhelm” |
| Kim Ki Hong |
464 |
Gatekeeping the Webtoons: A Study on the Internet-Based Cartoon Culture in Korea |
| Paul Kelemba (Maddo) |
472 |
Africa’s Hergé Takes A Bow: A Tribute to Frank Odoi (1948-2012) |
Thierry Groensteen
Translation by Pedro Moura with Miriam Sampaio |
475 |
A Response to Renaud Chavanne |
| John A. Lent |
477 |
The Printed Word |
| |
480 |
Book Reviews |
| |
493 |
Correction |
| |
494 |
Portfolio |
| Vol. 15, No.1, 2013 |
| John A. Lent |
1 |
Editor's Note |
| Mark McKinney |
2 |
Les mésaventures de M. Bêton by Léonce Petit: Reflexivity and Satire in an Early French Comic Book Inspired by Rodolphe Töpffer |
| Lara Saguisag |
35 |
The “Secret Tracts” of the Child’s Mind: Theorizing Childhood in Early 20th Century Fantasy Strips |
| Héctor Fernández L'Hoeste |
68 |
Súper Cholita and Bolivian Comics: In Search of Cultural and Political Hegemony |
| Ryan Prout |
84 |
Mapping Neuro-diverse Alterity in “Social and Sensitive” Comics from Spain |
| Iwan Gunawan |
100 |
Multiculturalism in Indonesian Comics |
| Uri Fink |
127 |
Comics in Israel -- A Brief History |
| Amy Bright |
146 |
Evaluating Text and Image Ratios in Contemporary Young Adult Literature |
| Muliyadi Mahamood |
163 |
Pioneers in Comic Art Scholarship Cartoon and Comics Scholarship in Malaysia: A Personal Experience |
| Scott Hales |
197 |
“Operation Replica?!!”: Captain America in the Age of Mechanical Reproduction |
| Tsugumi Okabe |
230 |
From Sherlock Holmes to “Heisei” Holmes: Counter Orientalism and Post Modern Parody in Gosho Aoyama’s Detective Conan Manga Series |
| Michael Rhode |
251 |
Ann Telnaes at the 2011 Small Press Expo |
| Jakob F. Dittmar |
270 |
Comics and History: Myth-making in Nazi references |
| Keegan Lannon |
287 |
Visualizing Words: The Function of Words in Comics |
| Muhamad Azhar Abdullah |
306 |
The Development of Malaysia Comic Art |
| Richard Scully |
323 |
The Lion and the Unicorn -- William Gladstone and Benjamin Disraeli through William Empson's Looking-Glass |
| Anita K. McDaniel |
338 |
Obama-man: The Fanboy Ideograph for “Hope and Change” |
| Sebastian Weinert |
354 |
Funny Education? Cartoons and Illustrated Stories as Media of Health Instruction in Weimar Germany |
| Jeremy Stoll |
363 |
A Creator's History of the Comics Medium in India |
| Sylvain Rheault |
383 |
Japanese Culture in Franco-Belgian Bande Dessinée |
| Jon LaCure |
395 |
CLAMP, the Magic Knights, and Art Nouveau |
| Jade Hidle |
408 |
Remembering in Red and Yellow: History, Memory, and Second-Generation Vietnamese American Identity in GB Tran's VIETNAMERICA |
| Anna Wiederhold |
419 |
The 9/11 Report: A Graphic Adaptation: Making Meaning in the (Gutter) Spaces between Word, Image, and Ideology |
| Fauzi Naeim bin Mohamed |
435 |
The Aesthetics of Oppression in Joe Sacco's Footnotes in Gaza |
| Eric A. Holmes |
450 |
The Horror and Humor of Entertaining Comics |
| John Baird |
456 |
Evaluating Math Concept Learning Using Comics |
| John A. Lent |
469 |
The Printed Word |
| Dale E. Seeds, John A. Lent |
472 |
Book Reviews |
| Edited by Michael Rhode, David Robertson, Michael Rhode |
480 |
Exhibition and Media Reviews |
| |
489 |
Portfolio |
| Vol. 15, No.2, 2013 |
| John A. Lent |
1 |
Fifteen Years of Continuous Publication |
| Richard Scully |
6 |
A Comic Empire: The Global Expansion of Punch as a Model Publication, 1841-1936 |
| Kent Worcester and Ethan Young |
36 |
Laura Slobe, Jesse Cohen, and
the Hidden History of Political Cartooning
|
| Daniela Miranda Loría |
55 |
Painted (Hi)stories: The Subversive Power of
Codex and Comics Elements in Codex Espangliensis: From Columbus to the Border Patrol
|
| Marni Stanley |
77 |
Where Do You Draw the (Front) Line:
Women's War Comics from the Middle East |
| Michael Rhode |
94 |
Richard Thompson Q&A at the 2008 Small Press Expo |
| Jeremy Stoll |
117 |
Bread and Comics: A History of the Pao Collective |
| Margareta Wallin Wictorin |
145 |
West African Tellings with Images and Words --
Comics in Senegal
|
| Athanasia Batziou |
167 |
Humoring the Greek Crisis |
| Héctor Fernández L’Hoeste |
185 |
On Historical Revisionism and the Chilean Experience:
The Case of Historia de Chile en cómic
|
| Annabelle Cone |
203 |
The Humorous Erotic in French Post-1968 Bande Dessinée |
| Leonard Rifas |
219 |
Fredric Wertham: Scientist (?)
A Transgeneration Paper in Two Parts
|
| Hend Alawadhi |
268 |
Reclaiming the Narrative:
The 99 and Muslim Superheroes |
| Chad Barbour |
278 |
Playing Indian and Performing Gender
in 1940s and 1950s United States Comics
|
| Alison Mandaville |
298 |
Comics? What Comics?!:
Cartoonists Gia Lapauri and Zaliko Sulakauri in the Republic of Georgia: Interviews and Commentary |
| Duncan Omanga |
323 |
The September 11th Attacks
in Editorial Cartoons in Kenya
|
| Julian Peters |
344 |
Explain Yourself: The Projector (1971)
by Martin Vaughn-James and the Reinvention of Narrative
|
| Benjamin Woo |
361 |
How to Think About Comics as Social Objects |
| Áine Llang Young |
373 |
I See What You Are Saying:
Visual Representations of Comic Sound in
Edgar Wright's Scott Pilgrim vs. The World (2010) |
| Ryan Holmberg |
389 |
The Eye and the Storm: Speed Lines and Gekiga FX |
| Bruce Mutard |
421 |
Out of The Gutter and into The Panel:
Comics Closure as Qualia of Art Imitating Life |
| John A. Lent |
430 |
"Give Me Some Skin," Clay, Fabric:
Cartooning the Armella Leung Way
|
| Julia Round |
453 |
Apocatastasis: Redefining Tropes of the Apocalypse
in Neil Gaiman and Dave McKean's Signal to Noise
|
| Aswathy Senan |
465 |
Bobanum Molliyum:
The Demon-Children of Kerala Comics |
| Colin Beineke |
485 |
Comics as Comics:
Comics Studies, Disciplinarity, and the Comics Scholar |
| Philipp Fidler and Johannes Fehrle |
495 |
"What's Happened to the American Dream?"
Transnationalism and Intertexts
in Alan Moore and Dave Gibbons' Watchmen
|
| Robert Loss |
528 |
Profluent Lingering, Trauma and Subjectivity |
| Vol. 16, No.1, 2014 |
| Joseph Thomas |
1 |
Guest Editorial
The Books Are Selling Just Fine, Thank You, or Scholarship and the Permissions Problem |
| John A. Lent |
9 |
Comics Scholarship: Its Delayed Birth, Stunted Growth, and Drive to Maturity |
| Richard Scully |
29 |
Towards a Global History of the Political Cartoon: Challenges and Opportunities |
| Brittany Tullis |
48 |
¿Chica moderna o mujer tradicional? Intersections of Modernity and Tradition
in Gabriel Vargas' La Familia Burrón
|
| Jeffery Klaehn |
74 |
Comics Don't Need to Be Literature with a Capital L: An Interview with Leah Moore and John Reppion |
| Eric A. Holmes |
90 |
Atomic Horror: Entertaining Comics and "One World or None" |
| Patrick W. Galbraith |
125 |
The Misshitsu Trial: Thinking Obscenity with Japanese Comics |
| Anna Howell |
147 |
Representation through Anti-Representation: Showing the Unspeakable in Stassen's Déogratias |
| John A. Lent |
163 |
"You Can't Deny the Uncomfortable Truths": Carol Tyler and Her Frank Autobiographical Comics |
| Joyce L. Arriola |
177 |
Semiotics of Filipino Komiks-to-Film Adaptation: Decoding Lapu-Lapu (1954) |
| Pfunzo Sidogi |
208 |
The Emergence of Black Cartoon Animators in South Africa: A Spotlight on the Work of Mdu Ntuli |
| Aaron A. Cloyd |
223 |
Voices from the Margins: The Place of Wilderness in Watchmen |
| Ben Whaley |
244 |
Doomed Hybrids: Three Cases of Fatal Mixing in the War Comics of Tezuka Osamu |
| John A. Lent |
258 |
Allied, Japanese, and Chinese Propaganda Cartoon Leaflets During World War II |
| Martha H. Kennedy |
302 |
Women Cartoonists and Illustrators Draw Covers for American Magazines:
Case Studies from The Library of Congress's Prints & Photographs Division
|
| Maaheen Ahmed |
322 |
The Art of Splicing: Autofiction in Words and Images |
| Marco R. S. Post |
339 |
R for Reason Gone Rampant? The Intricate Interplay between Madness &
Rationality in the Graphic Novel V for Vendetta
|
| Mark Anderson |
367 |
Writing History, Day by Day, From My Point of View: The Philosophy of Sudanese Cartoonist Khalid Albaih |
| Achim Hescher |
384 |
Classical Categories, Prototypes, and the Graphic Novel |
| David Hayes |
402 |
"Let's part before we become mushy": Femininity and Female Antagonists in Will Eisner's "The Spirit" |
| Jimoh, Ganiyu Akinloye |
431 |
I Voted Only for the Head Too: Visual Satire and Democratic Governance in AfricaCLAMP, the Magic Knights, and Art Nouveau |
| Gary Dufner and Joo Kim |
445 |
Text and Images: Varying Sizes of Word Balloons in Comics |
| Ryan Prout |
458 |
From Boom to Bubble and Bust: Comical Economics in Aleix Saló's Troika Trilogy |
| Vol. 16, No.2, Fall/Winter 2014 |
| Terry Mosher, OC1 |
1 |
Canadian Political Cartooning |
| Comic Empires-- Cartoons, Caricature, and Imperialism: A Symposium |
| Richard Scully |
58 |
Introduction |
| László Kürti |
65 |
“The Women-flogger, General Hyena”: Images of Julius Jacob von Haynau (1786-1853), Enforcer of Imperial Austria |
| Annick Pellegrin |
91 |
Nothing New under the Western Sun: The (Necessity and Inevitability of the) Conquest of the Americas in U.K.R.O.N.I.A./ Les Brigades du tempsand Helldorado |
| John Moores |
111 |
John Leech’s “‘General Février’ Turned Traitor” in the Imperial Imagination |
| Elena D. Hristova |
132 |
Joe Worker and the Story of Labor: Educating Workers for the Post-World War II Labor Program |
| Jonathan Guyer |
153 |
Gallows Humor: Political Satire in Sisi’s Egypt |
| Christina Bearden-White |
173 |
No Middle Ground: Reexamining Racialized Images in Luke Cage, Hero for Hire |
| Anri Yasuda |
192 |
Akutagawa Ryûnosuke: Manga Images of a Literary Icon |
| Roman Rosenbaum |
212 |
Ishinomori Shōtarō: (Re)presenting Japanese Graphic History |
Valérie Cools |
225 |
The Impossible Return: Innocence, Childhood and Predestined Love in Manga |
| Kinko Ito and Paul A. Crutcher |
240 |
Hayao Miyazaki’s Last Animation “The Wind Rises” (2013) and His Message for the Japanese Today |
| Gorana Tolja |
253 |
Urban Palimpsests of London in Alan Moore and Eddie Campbell’s From Hell (1989-1996) |
| Wladimir Chávez Vaca |
268 |
When the Aztecs Conquered Europe:Literary Tradition and Criticism of Society in The Art of Smoking Mirror (2012) |
| Philip Smith |
288 |
A Priest Dressed as a Man of Letters: Gene Luen Yang’s Boxers and Saints and the Legacy of Father Matteo Ricci |
| Abram Fox |
300 |
The Color and the Shape: Procedural Rhetoric
in Works by David Mazzucchelli and Daniel Clowes |
| Srdjan Tunić |
313 |
“Weird and Wondrous Comics of Aleksa Gajić:
Comics in the Expanded Field (Works 2011-2013)” |
| Richard Scully |
332 |
Accounting for Transformative Moments in the History of the Political Cartoon |
| Héctor Fernández L’Hoeste |
365 |
On Novel Constructions of Euro-American Heritage in the Americas |
| Panpan Yang |
380 |
Animating Landscape:Chinese Ink-and-wash Animation, 1960-2013 |
| Michael Rhode |
398 |
Jaime Hernandez Q&A at the Library of Congress’ National Book Festival 2013 |
| Daniel King |
413 |
The Crafting of Queer Domestic Space in Jaime Hernandez’s Love and Rockets |
| Tobias A. Mueller |
431 |
Sequential Art and Gerontology --
an Idle Field in Reflecting Images of Age and Aging |
| Muliyadi Mahamood |
452 |
Issues in Contemporary Malaysian Cartoons |
| Mike Lloyd |
465 |
Directing the Gaze: Humor in a Cartoon Caption Competition |
| Hong-Chi Shiau |
481 |
Caught in an Unattainable Dream in the Neoliberal Era: An Interview with Hung De-Lin on the History of Comicsin Taiwan |
| R. Brad Yarhouse |
496 |
A Relationship Between Harlem Renaissance Painter Jacob Lawrence and Comic Book Structure and Theory |
| Lawrence Beemer |
513 |
Superhero Comic Book Narrative and Continuity: From Freytag’s Pyramid to The Sierpinski Triangle |
| Iwan Gunawan |
528 |
Visual Design for the Universe of Wayang Comics |
| Zeffry Alkatiri |
546 |
Parody Criticism of the Military Regime of the Indonesian New Order in Yogyakarta Underground Comics, 1995–2000 |
| Anna F. Peppard |
565 |
“Big Fun on Monster Island”: Reading the Sexy Superbody in the Marvel Swimsuit Special |
| Wendy Siuyi Wong |
582 |
Fifty Years of Popularity of Theresa LeeWai-chun and Miss 13-Dot: Changing Identities of Women in Hong Kong |
| Aiden Ranford |
597 |
Impossible Filmstrips |
| Philip Smith |
608 |
Leslie Chew and Singapore’s Controversial, Online Political Cartoon |
Ayesha Ashfaq,
Adnan Bin Hussein,
Hina Fatima and Fahad Anis |
618 |
Unveiling the Art of Political Cartooning in Pakistan: A Retrospect |
| Naveed Iqbal Chaudhry andAmna Ashraf |
630 |
Killing the Killer: Pak-U.S. Relations after Osama Bin Laden: An Analysis of Editorial Cartoons from May-October 2011 |
| Michael Lipiner |
646 |
Super-Perception: Minorities Depicted In Comic Book Filmic Adaptations |
| John A. Lent |
655 |
The Printed Word |
| - |
659 |
Book Reviews |
| Edited by Mike Rhode |
674 |
Exhibition and Media Reviews |
| Resource |
686 |
Asian Comics Cataloging at Michigan State University |
| Vol. 17, No.1, Spring/Summer 2015 |
Neil Cohn
Kent Worcester |
1 |
Visual Language: Neil Cohn and Kent Worcester in Conversation |
| Hubert Kowalewski |
24 |
From Icono-linguistic Unity to Semiotic Continuity: An Alternative Description of Semiotic Repertoire of Comics |
| Hannah Miodrag |
45 |
Origins and Definitions: Arguments for a Non-Essentialist Approach |
| Louise C. Larsen |
57 |
Comic Composition; or When Kierkegaard and Cartoon Art Took to the Streets |
| Paul Morton |
74 |
The Archive as Comic: Aleksandar Zograf’s “Polovni svet” and Post-Yugoslav Serbia |
| Msanii Kimani wa Wanjiru |
90 |
Terry Hirst: The Renowned Trailblazer Editorial Cartoonist and Comics Author in Kenya |
| Kirsten A. McKinney |
117 |
The Waking Life of Winsor McCay: Social Commentary in A Pilgrim’s Progress by Mr. Bunion |
Richard Scully
Joshua Santospirito |
131 |
An Australian Comic Breakthrough: Craig San Roque’s The Long Weekend in Alice Springs. Adapted and drawn by Joshua Santospirito |
| Nick Stember |
149 |
The 19th Oddity of Yunnan: Propaganda and Memory in Li Kunwu and Philippe Ôtié’s Graphic Novel A Chinese Life |
| Héctor Fernández L’Hoeste |
181 |
Into the Present, by Way of a Non-Existent Past: Breccia, Trillo, and Alvar Mayor |
David Allan Duncan |
197 |
Daumier’s Deadline: Expedited Expressiveness and Franco-Belgian Cartooning |
| Mark McKinney |
210 |
Avant-Garde Abirached |
| John A. Lent |
246 |
The Self-named “Fool-in-chief”: Cameroon’s Hard-hitting Cartoonist, Nyemb Popoli |
| Jennifer Anderson Bliss |
257 |
Landscapes of Trauma in Grenier and Austini’s Rwanda 1994 |
| Gorana Tolja |
272 |
Against a “Tradition of the New”: Architectural Criticism in Chip Kidd and Dave Taylor’s Batman: Death by Design (2012) |
| Michael Rhode |
287 |
Bob Staake: “I don’t like the term cartoonist at all…” |
Monika Nowicka
Janusz Kaźmierczak |
299 |
Leading British Politicians in The Times’ and The Guardian’s Cartoons, 2010-2013 |
| Richard Scully |
336 |
Crossing the Line: Offensive and Controversial Cartoons in the 21st-Century --
“The View from Australia” |
| Mehedi Haque |
358 |
UNMAD and Bangladeshi Cartooning: A Socio-Cultural Journey with a Bitter Sense of Humor |
| Michael L. Maynard |
367 |
The Mediated Appeal of Kawaii “Cute” Mascot Characters in Japanese Consumer Culture:
A Case of Kumamon |
| Muhamad Azhar Abdullah |
395 |
Malay Pendekar: Silat Warrior in the Malaysia Graphic Novel |
John A. Lent
Pablo Turnes |
405 |
Oscar Steimberg and the Origins of Comics Studies in Argentina |
| Elizabeth Nijdam |
417 |
German Comics after Unification: The Politics of Anke Feuchtenberger’s Feminist Aesthetics |
| Jean-Matthieu Méon |
446 |
Comics Exhibitions in Contemporary France: Diversity and Symbolic Ambivalence |
| Paulo Ramos |
465 |
The Gradual Nationalization of Comic Strips in Brazilian Newspapers |
| Michael Rhode |
478 |
Matt Wuerker on the Cartoonists Rights Network International |
| Jeremy Stoll |
483 |
From Corporate to Collaborative Comics in India |
| Joost Pollmann |
500 |
Comics and Journalism: Witnessing the World with Pen and Paper |
| María Victoria Saibene López |
505 |
Bandas Orientales: Una Experiencia de Historieta Histórica Digital en el Marco Del Plan Ceibal |
| John Baird |
517 |
Comicvoice: Theory and Application |
| Davey Sams |
540 |
Considering the Perception of Time and Sequential Images in Digital Comics |
| Marc Wolterbeek |
557 |
Teaching Graphic Novels and Manga at the University |
| Philip Smith |
569 |
Measuring the Impact of Free Comic Book Day in Singapore |
| Asuka Yamazaki |
583 |
The Motif of the Wound in Attack on Titan |
John A. Lent |
598 |
Personal Remembrances: Interviews with Seven Recently-Deceased Giants
in Cartooning and Animation |
Mrinal Chatterjee
Triambak Sharma |
631 |
Vins: Chronicler of Life and Times |
John A. Lent |
640 |
The Printed Word |
Kirsten Møllegaard
Philip Smith
Andrew Lesk
John A. Lent |
639 |
Book Reviews |
Edited by Michael Rhode
David Robertson
Nick Nguyen
Michael Hill |
649 |
Exhibition and Media Reviews |
| Vol. 17, No.2, Fall/Winter 2015 |
| Martin Lund |
1 |
“NY 101” New York City According to Brian Wood |
Janis Breckenridge
John Gardner |
34 |
Desert (E)Scapes: Cinematic Visions in Road Story |
| Motoko Tanaka |
49 |
GANTZ Interpreted from Two Critical Perspectives |
| Tom Speelman |
67 |
“The Good Duck Artist”: How Carl Barks Changed Comics |
| Ryan Prout |
82 |
À la recherche du chien perdu: Watch Dogs, Memory, and Mourning in Recuerdos de perrito de mierda (Shitty Little Dog Memories) |
| Richard Scully |
98 |
The Foundations of the Anglo-American Tradition of Political Satire and Comic Art: The Eighteenth and Nineteenth Centuries |
| Dominick Grace |
133 |
An Alternative History of Canadian Cartoonists |
| Aarnoud Rommens |
162 |
Alberto Breccia: Memoirs of Resistance and the Ethos of Reading |
| Sean A. Guynes |
177 |
Fatal Attractions: AIDS and American Superhero Comics, 1988-1994 |
| James Yi Guo |
217 |
Conceptualizing the Freedom of the Press in Chinese Political Cartoons |
| Mike Lloyd |
238 |
Little Princess and the Mayor: Evaluating Cartoons on a Sex Scandal |
| Levent Gönenç and Levent Cantek |
256 |
A Comment on the Impact of Cartoon Art on Social and Political Events with a Special Reference to the Case of Turkey |
| Kirsten Møllegaard |
275 |
Chasing the American Dream: Gender, Race, and Identity in American Born Chinese and Shortcomings |
| Julia Round |
295 |
Revenant Landscapes in The Walking Dead |
| Jessika O. Griffin |
309 |
“We are the walking dead”: Zombified Spaces, Mobility, and the Potential for Security in Post-9/11 Zombie Comics |
| John A. Lent |
329 |
The Glimmering Glow of Comic Art Amidst the Blinding Glitter of the United Arab Emirates |
| Domingos Isabelinho |
346 |
A Comics Studies Pioneer In Portugal: António Dias de Deus |
| Leonard Rifas |
362 |
“Struggling Independently to Understand the World”: My Career in Comics Scholarship and Creation |
| Liam Burke |
375 |
The Comic Book Film Adaptation -- A Panel Discussion with Tom Brevoort, Joe Kelly, Michael E. Uslan, and Mark Waid |
| Amna Ashraf |
395 |
Talibanization in Pakistan -- An Uneasy Subject for Editorial Cartoonists Naveed Iqbal Chaudhry |
| Luka Hamacher |
421 |
The System Is in The System: Researching the Visualization of Abstract Systems in Peter Kuper’s Graphic Novel The System |
| John A. Lent |
441 |
A Brief Introduction to Some Iranian Women Cartoonists and Their Works |
| Danielle Cochran |
457 |
Surface Race Resolution: Race Commodification in Marvel Premiere’s Series Featuring Black Panther |
| William H. Foster III |
478 |
Images of African Americans in the Golden Age of Comics (1939-1965) |
| Sourav Chatterjee |
492 |
Batul: The Great Disciplinarian |
| Matteo Fabbretti |
509 |
The Translation Practices of Manga Scanlators |
| Kay K. Clopton |
530 |
Manga and Silent Film: Building a Bridge Between Modern Gitaigo, Giongo, and the Benshi |
João Batista Freitas Cardoso
Roberto Elísio dos Santos |
547 |
There’s Life in Other Systems: The Comic Character Outside Narratives |
| Jakob F. Dittmar |
561 |
Sequential Images, the Page, and Narrative Structures |
| Toni Masdiono and Iwan Zahar |
572 |
Visual Character and Context of Put On (1931-1965): The First Indonesian Comics |
| Philip Smith |
586 |
Sinann Cheah Interview |
| Jeffery Klaehn |
591 |
An Interview with Canadian Webcomic Creator Becka Kinzie |
| Mark Anderson |
600 |
I Don’t Know, Give It a Try, See What Happens |
| Damien Tomaselli |
612 |
Digital Comic Adaptation and Adjustment: Conceptual Boundaries in Comic Book Recognition |
| John A. Lent |
632 |
Remembrances |
| John A. Lent |
634 |
The Printed Word |
Edited by Mike Rhode
A. David Lewis
David Hyman
Leslie Gailloud |
641 |
Exhibition and Media Reviews |
| Rolf Heimann |
650 |
Dromkeen - A New Australian Cartoon Museum |
| |
655 |
<Portfolio> |
| Vol. 18, No.1,Spring/Summer 2016 |
Jeffrey O. Segrave and
John A. Cosgrove |
1 |
Calvinball: Sport, Imagination and Meaning in Bill Watterson’s Calvin and Hobbes |
Paul M. Malone |
14 |
Mali & Werner’s Mike: Underground Sensibility in a German Advertising Comic |
| Chris Gavaler |
36 |
The Meanings of Comics |
| Richard Scully |
60 |
Founding a Dynasty and an Art-Form: John Doyle (1797-1868) |
| Ashley Manchester |
103 |
Tactility Meets Visuality: Race, Sexuality, and Texture in Howard Cruse’s Stuck Rubber Baby |
| Ignacio Fernández Sarasola |
118 |
Forbidden Readings: The British Parliamentary Debate on “American-Style” Comic Books |
| Linn A. Christiansen |
138 |
Corruption Among the Cats:
Hypocrisy Exposed by Liao Bingxiong |
| Charlotte Pylyser |
157 |
Eye/I: Rodolphe Töpffer’s Style and the Concept of Graphiation |
| Benjamin Fraser |
169 |
Art and Science in Pere Joan’s Nocilla Experience (2011) |
| Thayse Madella |
196 |
Comics as Borderlands: The Asymmetrical Relations of Power in La Perdida, by Jessica Abel |
| Waldomiro Vergueiro |
211 |
An Independent Production: Comics in Paraíba (1963-1991) Regina Maria Rodrigues Behar |
| Aurélie Meilin Pottier |
240 |
Traces of Mauritian Origins and National Identity in Two Mauritian Comics |
| Subir Dey and Prasad Bokil |
260 |
Syntax of Sound Symbolic Words: A Study of the Hindi Comic Books in India |
| Thiago de Almeida Castor do Amaral |
278 |
Migration of Comics Onomatopoeia to Other Supports |
| |
293 |
Burma’s Loudspeaker An exclusive report by The Surreal McCoy |
| Marc Wolterbeek |
297 |
Grim Reapers and Shinigami: Personifications of Death in Comics and Manga |
Nathaniel Goldberg and
Chris Gavaler |
331 |
Economy of the Comic Book Author’s Soul |
Toni Masdiono and
Iwan Zahar |
355 |
Si Jin Kwi’s Comic by Otto Suastika (Siauw Tik Kwie) |
| Joseph Christopher Schaub |
368 |
Revenge, Roads, and Ronin: Finding the Weird West in Contemporary Japanese Anime |
| Msanii Kimani wa Wanjiru |
379 |
Kenya’s Kham and His Multi-Faceted Career |
| Amna Ashraf |
392 |
Caricaturing Imran Khan during His Anti-Electoral-Rigging Campaign in Pakistan Naveed Iqbal Chaudhry |
| Chew, Matthew M., Boris L. Pun, and Kofi P. Chan |
416 |
Hong Kong Comics after the Mid-1990s |
| Chadwick L. Roberts and Anita K. McDaniel |
434 |
It Started With A Kiss: Reframing Superheroines’ Visual Narratives |
| Rima Bhattacharya |
458 |
The “Not So Dark” World of the Dark Knight |
| Katherine Lundy |
477 |
History and Philosophy of Manga Translation in North America |
| Janis Breckenridge |
493 |
Cultural Revolutions and Stylistic Evolutions or, Reboots and Remakes: A Conversation with Derf |
| Zhiyu Zhang, Feng Su, Chang Fengxia |
506 |
Character Consumption and Character Industries in Japan |
Harrison Douglass |
525 |
The Next Generation of Comics Scholarship Huang Yao’s Roar of the Nation I (1938): Multi-media Approach to Wartime Cartooning |
| Christopher Crawford and Igor Juricevic |
561 |
Two Frameworks for the Interpretation of Metaphoric and Literal Size Depictions in Comic Books |
| Douglas Clarke |
585 |
An Essay
Exploring Wakanda: Black Superheroes, Comic Books, and Persistent Tropes |
| Daaniela Marino |
594 |
A Preliminary Study
Feminine Representation in Misty: Brazilian and American Editions |
| Jason Levine |
602 |
It’s a MAD World After All: Confessions of a MAD Collector |
| John A. Lent |
608 |
The Printed Word |
David Kunzle
John A. Lent
Kirsten Møllegaard
Lim Cheng Tju |
613 |
Book Reviews |
Edited by Mike Rhode and John Lent
Ayanna Dozier
Janis Breckenridge |
627 |
Exhibition and Media Reviews |
| Vol. 18, No.2, Fall/Winter 2016 |
| Frederik L. Schodt |
1 |
Pioneers in Comic Art Scholarship
My Drifting Manga Life |
Waldomiro Vergueiro |
20 |
Pioneers in Comic Art Scholarship
I Am Just a Comic Book Reader Who Became Curious… |
| Sylvain Rheault |
33 |
Heroism Reversed: Graphic Novels About the Great War |
| Kim Munson |
61 |
A Collaborative Journey: Malcolm Whyte, Troubador Press, and the Cartoon Art Museum, San Francisco |
| Kim Munson |
111 |
How the French Kickstarted the Acceptance of Comics as an Art Form in the US: The Books and Exhibitions of Maurice Horn |
| Eike Exner |
156 |
A Brief History of the Translation of American Comic Strips in Pre-World War II Japan and the Origins of Contemporary Narrative Manga |
| Sheng-Mei Ma |
175 |
Gene Luen Yang's Graphic Bi-Bye to China/town |
| Fabio Mourilhe |
196 |
From Phylacteries to Balloons: Consequences of Epistemological Evolution in Pictorial Representation of Discourse Support |
| José Alaniz |
216 |
Food in Post-Soviet Russian Comics |
| Citlaly Aguilar Campos |
234 |
The Influence of Cartoon and Animation for the Elaboration of Visual Art in the Electronic Dance Music Genre |
| Preeti Singh |
258 |
Hippies, Rogues, and Urban Losers: Subjects of the Indian Graphic Novel |
| Kirsten Møllegaard |
280 |
Graphic Adaptations of Pride and Prejudice: Pastiche, Parody, and Intertextuality |
| Dominic Davies |
299 |
Comics Journalism: An Interview with Josh Neufeld |
| Kay K. Clopton |
318 |
Poetics of Sound and Death: The Function of Nature and Effects in Kurosagi Corpse Delivery Service |
| Robyn Johnson |
337 |
I Will Not Bow : Analysis of the Feminine Refusal of Hegel's Master-Slave Dialectic in Inuyasha |
| Jeffery Klaehn |
354 |
An Interview with English Comic Book Artist Arthur Ranson |
| Kinko Ito |
367 |
Remembering Her 50 Years in Japanese Girls' and Ladies' Comics: An Interview with Chikae Ide |
| Amadeo Gandolfo |
384 |
The Neurotic Gaze: Jules Feiffer Seen Through a Feminist Lens |
| Edilaine Correa |
403 |
Violence Representation in Horror Comic Books |
| Mike Rhode |
417 |
Remembering Richard Thompson (1957-2016) |
| Alyssa Kim |
421 |
How Realism Is Shaping Korean Webtoons |
| Sourav Chatterjee |
434 |
“YES SIR!” 50 Years of Nationalism and the Indo-Pak War in Narayan Debnath’s Bñātul the Great |
| Luiza Lusvarghi |
453 |
Fiction, Transmedia Storytelling, and Cartoons: The Life and Death of Rê Bordosa |
| Fusami Ogi |
463 |
How a Shōjo (a Japanese Girl) Transcends National Borders Through an Incestuous
Body: Shōjo Mangafrom the 1970s to the 2000s |
| Jeffery Klaehn |
479 |
An Interview with Comic Book Artist Paul Gulacy |
| Varsha Jha (Singh) |
488 |
Writing the Picture: Ramayana Narrative in a Graphic Novel Form |
| Joseph Hancuch |
504 |
The Next Generation of Comics Researchers
The Visual Ideograph: The Advent and Departure of the Abu Ghraib “Hooded Specter” |
| Zac Clifton |
516 |
(YA)ru, (O)kasu, (I)kaseru: Do Him, Rape Him, Make Him Cum: Rape, Loss, and the Silence of Queer Identity in Boys Love Manga |
| John A. Lent |
531 |
The Printed Word |
José Alaniz
John A. Lent |
534 |
Book Reviews |
| |
540 |
Portfolio |
| Vol. 19, No.1, Spring/Summer 2017 |
| Edited by John A. Lent |
1 |
Freedom To Cartoon: An Endangered Concept A Symposium |
| John A. Lent |
4 |
Global Infringements on the “Right to Cartoon”: A Research Guide |
| Camila Gutierrez Fuentes |
71 |
From Socialism to Dictatorship: Editorial Ideologies in Chilean Science Fiction and Adventure Comics |
| Jorge Montealegre I. |
87 |
La Figura Del Presidente Salvador Allende. Caricatura Política E Imágenes Fatídicas |
| Ignacio Fernández Sarasola |
95 |
Control over Comic Books in Spain during the Franco Dictatorship (1939-1975) |
Cristiana de Almeida Fernandes,
Vera Lúcia dos Santos Nojima,
Ana Cristina dos Santos Malfacini,
and Maria da Conceição Vinciprova Fonseca |
130 |
Early Censorship of Comics in Brazil and Spain and Their Use as an Educational Resource as an Escape |
| John A. Lent |
159 |
Two Life Times and 15 Years: A Cuban Prisoner’s Coping Through Cartoons |
| Ulf Jonas Bjork |
177 |
American Infection: The Swedish Debate over Comic Books, 1952-1957 |
Rik Sanders
Translated by Melchior Deekman |
190 |
Seduced Innocence: The Dutch Debate about Comics in the 1940s and 1950s |
| John A. Lent |
205 |
“Acquire the Widest Possible Comics Culture”: An Interview with Thierry Groensteen |
| Fred Patten |
219 |
The Multi-Varied, 50-Year Career of a Fan-Researcher of Comic Art |
| Lin Young |
243 |
Gutter Ghosts and Panel Phantasms: Horror, Haunting, and Metacomics |
| Simon Desplanque |
270 |
World War II in French Collective Memory: The Relevance of Alternate History Comics. An Analysis of the Wunderwaffen Saga |
| Jaehyeon Jeong |
290 |
Genre Hybridity as the Scheme of the Comics Industry |
| Héctor Fernández L’Hoeste |
309 |
On the Pastoral Imaginary of a Latin American Social Democracy: Costa Rica’s El Sabanero |
| Jonathan Guyer |
334 |
Between Fine and Comic Art. On the Arab Page: Much Connects Art and Comics in Egypt and the Wider Middle East |
| Lim Cheng Tju |
345 |
“Art Is My Blood”: A Short Interview with Nora Abdullah, Pioneer Female Malay Comic Artist |
| Jesse D. Hurlbut |
353 |
Comics Theory for the Ages: Text and Image Relations in Medieval Manuscripts |
| R. Brad Yarhouse |
384 |
Examining Film Engagement Through the Visual Language of Comics |
| Janis Breckenridge |
405 |
Hemispheric Latinx Identities and Transmedial Imaginaries: A Conversation with Frederick Luis Aldama |
| Hong-Chi Shiau and Hsiang-wen Hsiao |
413 |
In Search of the Missing Puzzle Pieces: A Study of Jimmy Liao’s Public Art Installations in Taiwan |
| Kenan Koçak |
428 |
Far from the Maddening Crowd: Guy Delisle as Cultural Reporter |
| Sara Owj |
479 |
Comparative Study between Works of Joe Sacco, Art Spiegelman and Fumiyo Kono |
| Bryan Hikari Hartzheim |
499 |
Toriko’s Database World |
| Veronica Anzaldua |
525 |
Beyond Images and Gags: Comic Rhetoric in “Luann” |
| Michael Connerty |
538 |
Happy Ike, The Pink Kid, and the American Presence in Early British Comics |
| Ulf Jonas Bjork |
547 |
The Swedish Phantom: Sweden’s Domestication of an American Comic Book Hero |
| Barry Pearl |
562 |
Start Spreading the News: Marvel and New York City |
| Jasmin Cyril |
575 |
Honoré Daumier: Caricature and the Conception/Reception of “Fine Art” |
| Zola Zu |
586 |
China’s Cartooning in the War of Resistance against the Japanese Invasion |
| Annabelle Cone |
595 |
Belgian bande dessinée and the American West |
| John A. Lent |
620 |
The Printed Word |
M. Thomas Inge
David Lewis
John A. Lent
Lim Cheng Tju
Janis Breckenridge
Benoît Crucifix
Christopher Lee Proctor II
Michael J. Dittman
Leslie Gailloud |
627 |
Book Reviews |
Edited by Michael Rhode
Maite Urcaregui
Pascal Lefèvre
Keith Friedlander |
647 |
Exhibition and Media Reviews |
| - |
655 |
Portfolio |
| Vol. 19, No.2, Fall/Winter 2017 |
| John A. Lent |
1 |
Editor’s Notes |
| Nicky Wheeler-Nicholson |
8 |
Applying the Lasso of Truth to The Secret History of Wonder Woman by Jill Lepore |
| Trina Robbins |
46 |
Of Politics and Presidents in William Moulton Marston’s Wonder Woman |
| Afra S. Alshiban |
51 |
Saudi Arabia’s Role in Advancing Comics |
| Patrick Nash |
78 |
Re-imagining the Ku Klux Klan in Chinese Media through the 1950s |
| Wladimir Chávez Vaca |
97 |
The Film Noir’s Aesthetics in a Graphic Novel: The Case of Angelus Hostis (2012) |
| Robyn Johnson |
124 |
In the Past the Devil Has Won: Analysis of Seishi Kishimoto’s Satan and Savior in O-Parts Hunter |
| Dan Erdenebal |
148 |
Comics in an Unexpected Place: Mongolia |
| Sina Shamsavari |
163 |
The History of Gay Male Comics in the United States from Before Stonewall to the 21st Century |
| Pablo Turnes |
202 |
Drawing Memories. The “Comics for Identity” Project in Argentina as an Ethical and Aesthetical Challenge |
| John A. Lent |
213 |
Scalpels and Pens: Tools of Brazilian Surgeon/Cartoonist Ronaldo Cunha Dias |
| Martina Caschera |
224 |
Women in Cartoons -- Liang Baibo and the Visual Representations of Women in Modern Sketch |
| Tahseen Salman Choudhury |
253 |
By the Power of Lailies: History and Evolution of Women Characters in Bangladeshi Comics |
Jeffrey O. Segrave, John A. Cosgrove |
269 |
A Tribute to Trizophrenia: Sport in Jef Mallett’s Comic Strip “Frazz” |
| John A. Lent and Xu Ying |
286 |
Wang Zimei and Sun Zhijun: Cartoonists Hidden in Chinese History |
| Northrop Davis |
311 |
Peak TV and Anime: Why It Matters |
| Hongyan Sun |
341 |
Modular, Proportional, Patterning: Representation of Zhang Guangyu’s Ornamental Style in His Comics |
Laura Nallely Hernández Nieto
Iván Facundo Rubinstein |
357 |
History and Popular Memory. Alternative Chronicle of Mexico City in the Comics of Gabriel Vargas |
| Jeremy Stoll |
372 |
Art and Avarice: Tracing Careers in the Indian Comics World |
| Tolga Erkan |
381 |
A Turkish Comic Strip: “Abdülcanbaz” |
| John A. Lent and Xu Ying |
403 |
Pang Bangben: “This Old Man Can Do All Kinds of Art” |
| Citlaly Aguilar Campos |
415 |
Major Lazer: Animation in Electronic Music as a Transmedia Resource |
| Patrick Shank |
428 |
First Lesson of the Sea, Always Bring a Spare Pencil: Analyzing Navy Culture through Cold War Cartoons |
| Toni Masdiono and Iwan Zahar |
466 |
First Lesson of the Sea, Always Bring a Spare Pencil: Analyzing Navy Culture through Cold War Cartoons |
| John A. Lent |
475 |
The Printed Word |
John A. Lent
Janis Breckenridge
Mel Gibson
Michael Rhode |
483 |
Book Reviews |
| Edited by Michael Rhode |
493 |
Exhibition and Media Reviews |
| Vol. 20, No.1, Spring/Summer 2018 |
| Transnational Graphic Narratives |
1 |
Transnational Graphic Narratives |
| Daniel Stein, Lukas Etter, Michael A. Chaney |
4 |
Transnational Graphic Narrative A Special Symposium |
| Subir Dey and Prasad Bokil |
17 |
Sound Symbolic Words in Translation |
| Michael A. Chaney |
25 |
Misreading with the President: Re-reading the Covers of John Lewis’s March |
| Astrid Böger |
43 |
Transnational Graphic Narratives from Down Under |
| Stephan Packard |
65 |
The Inventibility of Other Audiences: Thoughts on the Popular Ideology of Fiction in Transnational Comic Books, on the Occasion of Captain Marvel #1 |
| Casey Brienza |
81 |
Domesticating Manga? Japanese Comics and Transnational Publishing |
| Franca Feil |
98 |
Kawaii Snow White and an Umbrella Called “Dornröschen”:
Manga Adaptations of Grimms’ Fairy Tales |
| Suraya Md Nasir |
118 |
Narrative and Identity: A Case Study on Malaysian Autobiographical Comics |
| Jocelyn Wright |
139 |
Transnational Banlieue Bande Dessinée in the 21st Century: An Introduction |
| Johannes C. P. Schmid |
153 |
Cartooning Resistance: Irony and Authentication in Zerocalcare’s Kobane Calling |
| Tobias J. Yu-Kiener |
170 |
Barbara Stok’s Graphic Biography Vincent: A Transnational Campaign |
| Isabelle Licari-Guillaume |
189 |
Transatlantic Exchanges and Cultural Constructs: Vertigo Comics and the British Invasion |
| Amadeo Gandolfo and Pablo Turnes |
204 |
Alcatena’s Malón: National Identity and Cultural Work in the American Comics Industry |
| Laura Nallely Hernández Nieto |
229 |
From the Post-revolutionary Mexico to the American Way of Life:
Analyzing Los Superlocos by Gabriel Vargas |
| Pfunzo Sidogi |
242 |
Supa Strikas: Transnational Afropolitan Superheroes |
| Ganiyu Akinloye Jimoh |
255 |
Josy Ajiboye: The Reluctant Cartoonist and Social Commentaries in Postcolonial Nigeria |
| Moritz Fink |
267 |
Of Maus and Gen: Author Avatars in Nonfiction Comics |
| Annemari de Silva |
297 |
Political Cartoonists and Censorship in Sri Lanka |
| Susan Signe Morrison |
331 |
Grendel’s Mother in Fascist Italy: Beowulf in a Catholic Youth Publication |
| Jeffrey O. Segrave and John A. Cosgrove |
349 |
“Games Are More Fun When There’s No Real Point”: Bizarre Sports in Comic Strips |
| Richard Scully and Robert Phiddian |
367 |
The Australian Political Cartoon -- An Historiographical Overview |
| Estelle A. Muller |
384 |
Reimaging South Africa’s Colonial History: Jan van Riebeeck as a Vampire in the Rebirth Graphic Novel |
| Alexandra L. Berglund |
401 |
Drawing (Dis)ability Panel by Panel: A Literature Review of (Dis)ability, Comics, and Graphic Narratives |
| Christopher Maverick |
418 |
Oracle of the Invisible: Rape in The Killing Joke |
| Marcela Murillo Lafuente |
430 |
The Clothes (Re)Maketh the Woman: Sartorial Empowerment in Contemporary Bolivian Comics |
| Charles Hatfield, Stephen R. Bissette, Brian Cremins, and Gene Kannenberg, Jr. |
453 |
Curious His Entire Life: Remembering Tom Roberts |
| Kin Wai Chu |
470 |
A Forgotten Link in the History of the Chinese Newspaper Political Cartoon: The Cartoon Album of The World of E-king Yen |
| Janis Breckenridge |
489 |
Sobriety Blows: Whiskey, Trauma, and Coping in Netflix’ “Jessica Jones” |
| M. Thomas Inge |
505 |
The American Sense of Humor |
| Ryan Prout and Roberto Bartual |
510 |
Wrinkles, Furrows, and Laughter Lines: Paco Roca in Conversation at the Lakes International Comic Art Festival |
| Thusha Rani Rajendra |
524 |
Visual and Verbal Representations in Mat Som: Lat and Multiculturalism |
| Julie Kaiser |
538 |
Veiling and Unveiling in Marjane Satrapi’s Persepolis |
| John A. Lent |
554 |
The CRNI as an Antidote to the Perils of Cartooning: An Interview with Robert “Bro” Russell |
| Kay K. Clopton |
563 |
Ha-Fuun and Other Sounds of Enjoyment: How Giongo and Gitaigo Shift from Entertainment to Lived Experience in Insufficient Direction |
| Ruth McClelland-Nugent |
575 |
“Will the Real Dr. Psycho Please Stand Up?” Finding the Origins of Wonder Woman’s Golden Age Characters |
| Ofer Ashkenazi and Jakob Dittmar |
587 |
Negotiating Documentation in Comics |
| Daniel D. Clark |
598 |
Manga’s Christian Other in Naoki Urasawa’s 20th Century Boys and Suu Minazuki’s Judas |
| Lauren Elyse Chivington |
615 |
The Girl, the Man, and the Maus: Holocaust Narratives in Controversial Media |
| John A. Lent |
649 |
The Printed Word |
| Alisia G. Chase |
653 |
Book Reviews |
Edited by Michael Rhode
Nick Nguyen
Lim Cheng Tju
Canan Marasligil |
656 |
Exhibition and Media Reviews |
| |
680 |
Reminiscences |
| Vol. 20, No.2, Fall/Winter 2018 |
| John A. Lent |
1 |
A 20-Year Harvest of Comic Art Scholarship: International Journal of Comic Art--1999-2018 |
Edited by John A. Lent |
|
A Symposium on Political Cartoons |
Rob Rogers |
44 |
Six in a Row? That Has to Be Some Kind of Record! |
Haydon Manning and Robert Phiddian |
57 |
The Editorial Cartoon’s Fading Impact -- The State of Play in Australia at the Federal Election of 2016 and Beyond |
John A. Lent |
90 |
The New Wave of Investigative Cartooning in South Korea |
Benjamin Wai-ming Ng |
110 |
Drawing Chinese Political Cartoons in Japan: Blessing in Disguise or Trade-off? |
Leonard Rifas |
128 |
The Politics of Underground Comix and the Environmental Crisis |
Richard Scully |
151 |
Mark Knight vs Serena Williams -- Crossing the Line: Offensive and Controversial Cartoons in the 21st Century -- “The View from Australia” -- Part Two |
Lim Cheng Tju |
177 |
Morgan Chua (1949 -- 2018) and Political Cartooning in Singapore |
Sara S. Elmaghraby |
181 |
Cartooning Poverty: Are Cartoonists Helping Sustainable Development in Egypt? |
José Alaniz |
192 |
“Hippies” and Pacifism in Igor Kolgarev’s Militariisk Comics |
Milind Ranade |
207 |
Discovering Tom Browne and His Postcards |
Jeffrey SJ Kirchoff |
222 |
Beyond the Printed Page: Dementia, Graphic Medicine, and Digital Comics |
Janis Breckenridge and Maia Watkins |
235 |
Reading Between the Lines: Drawing on the Horrors of Disappearance in “Un asesino anda suelto” |
Mike Rhode |
256 |
A Chat with Izar Lunaček of Slovenia |
Izar Lunacek |
261 |
A Brief History of Slovenian |
Melanie Hernandez |
268 |
Currier & Ives’s Darktown Series: Recovering White Social Capital through Violent Satire |
Tomasz Żaglewski |
290 |
Superhero Sentimentalism. Analyzing the Social Media Nostalgia for the First Wave of American Comics in Poland |
Jean Braithwaite |
312 |
Navigating Jimmy Corrigan: Time, Space, and Puzzles, Including Pagination |
Marlene Pohle |
342 |
A Cartoonist Chronicler of Cartoonists’ Confabs |
William H. Foster III |
360 |
March Graphic Novel: “American History Lives Again” |
Steve Danziger |
373 |
Malice, Metaphysics, and Mengele -- Holocaust Motifs and the Renunciation of Evil in EC Horror Comics |
Robyn Johnson |
399 |
Bishie Man or Woman, It Matters Not:
Grotesque Resistance to Heteronormative Love in Yu Wo’s ½ Prince |
Citlaly Aguilar Campos |
443 |
Liminality and Meta-fiction in Comics: The Ayotzinapa Case by Augusto Mora |
João Batista Freitas Cardoso and Caio Mattos Moreira Cardoso |
464 |
The V Mask in Translation: From Commercial to Subversive Systems |
| Ken Junior Lipenga |
478 |
Intersections of Sex and Violence in Preacher |
| Ignacio Fernández Sarasola |
493 |
Crime News:
Blaming Comic Books for Crimes Committed During the “Golden Age” |
| J.T.H. Connor |
518 |
Behind the Scenes of the “War in Comics” Exhibit: An Interview withCanada’s Andrew Loman and Irene Velentzas |
| Paola Moreno Izaguirre |
525 |
Art Toy as Anatomical Sketch |
| Northrop Davis |
536 |
Legendary Hollywood Designer Syd Mead’s Important Contributions to Landmark Anime |
| Barry Pearl |
542 |
Charles M. Schulz: Cartoons Without Peanuts |
| John A. Lent |
561 |
Reminiscences |
| John A. Lent |
571 |
The Printed Word |
| David Kunzle |
574 |
A Review Essay |
Kirsten Møllegaard
Dominick Grace
Mike Rhode
Varsha Singh
José Alaniz |
590 |
Book Reviews |
Mike Rhode
Dana Jeri Maier
Carli Spina
Emily Lauer |
613 |
Exhibition and Media Reviews
Edited by Mike Rhode |
| Vol. 21, No. 1, Spring/Summer 2019 |
| Ronald Stewart |
1 |
Itō Hirobumi’s Nose: Syphilis in Early 20th Century Japanese Cartoons |
Paul M. Malone |
28 |
“You Are Leaving the French Sector”: Flix’s Spirou in Berlin and the Internationalization of German Comics |
Anton Kannemeyer |
52 |
As I Please: A Personal Reflection on Censorship |
Annabelle Cone |
62 |
The “Bobo” (bourgeois-bohème) as Post-Modern Figure? Gentrification and Globalization in Dupuy and Berberian’s Monsieur Jean and Boboland |
Tania Pérez-Cano |
79 |
Graphic Testimonies of the Balsero Crisis of 1994: Narratives of Cuban Detainees at the Guantánamo Naval Base |
Ana Merino |
105 |
Comics Reinventing Creativity in the Museum: Some Thoughts about the Show “Viñetas Desbordadas/Overflowing Panels” |
Jon Holt |
118 |
Ishii Takashi, Beyond 1979: Ero Gekiga Godfather, GARO Inheritor, or Shōjo Manga Artist? |
Daniel F. Yezbick |
143 |
Of Bears, Birds, and Barks: Animetaphoric Antagonism and Animalscéant Anxieties within Dell Funny Animal Franchise Comics |
John A. Lent |
171 |
Wang Ning, Beijing Total Vision Culture Spreads Co. Ltd., and the Transnationalization of Chinese Comic Books |
Alvaro Alemán and Eduardo Villacís |
184 |
Pointed Language: Reading Paola Gaviria’s Virus Tropical (2009) from the Perspective of the Visual Protocols of the Graphic Novel |
Héctor Fernández L’Hoeste |
192 |
On Butterflies, Viruses, and Visas: Comics and the Perils of Diasporic Imagined Communities |
Anu Sugathan |
216 |
The City and the Medium of Comics: Depiction of Urban Space in Sarnath Banerjee’s Corridor and The Barn Owl’s Wondrous Capers |
Dietrich Grünewald
Translated by Christina Little |
242 |
Crossing Borders: Graphic Novels Quoting Art |
Kent Worcester |
275 |
That Chameleon Quality: An Interview with R. Sikoryak |
Sara Dallavalle |
300 |
Popular Format and Auteur Format in Italian Comics. The Case of Magnus |
Sam Cannon and Hugo Hinojosa Lobos |
329 |
Chile’s Military Dictatorship and Comics as Alternative Methods of Memorialization: Critical Approaches from Contemporary Chilean Graphic Novels |
Leila Sadegh Beigi |
350 |
Marjane Satrapi’s Persepolis and Embroideries: A Graphic Novelization of Sexual Revolution across Three Generations of Iranian Women |
Mathieu Li-Goyette |
366 |
A Sublime in Tension Around Alexandre Fontaine Rousseau and Francis Desharnais’ Les Premiers Aviateurs |
Michelle Ann Abate |
390 |
“They’re Quite Strange in the Larval Stage”: Children and Childhood in Gary Larson’s “The Far Side” |
Magnus Nilsson |
423 |
Marxism Across Media: Characterization and Montage in Variety Artwork’s Capital in Manga |
Debarghya Sanyal |
439 |
The Desi Archie: Selling India’s America to America’s India |
Sina Shamsavari |
463 |
Gay Male Porno Comics: Genre, Conventions, and Challenges |
Anno Moyoco Yasuko Akiyama |
498 |
Ambitious Women in Male Manga Magazines: Sakuran and Hataraki-Man |
Aimee Vincent |
508 |
“Hey Kids, Patriarchy!”: Satire and Audience on the Back Covers of Bitch Planet |
Chad A. Barbour |
519 |
The Fine Art of Genocide: Underground Comix and U.S. History as Horror Story |
John Darowski |
539 |
Superman’s Remediation of Mid-20th Century American Identity |
Héctor Fernández L’Hoeste |
551 |
A Matter of Affect: Illustrated Responses to the Immigration Debacle |
Bi Keguan
Edited by Bi Weimin
Translated by Xu Ying |
567 |
Random Notes of the Editorial Office of China’s Manhua Magazine |
Chu Der-Chung (Zola Zu) with John A. Lent
Translation by Xu Ying |
585 |
The Chus: A Family Teeming with Cartoonists |
Alvaro Alemán and Eduardo Villacís |
594 |
Faith in Comics: Ex-voto Religious Offerings and Comic Art |
Barbara Zocal Da Silva |
602 |
Translated Hispano-American Comics in Brazil |
Conversation with Jan Ziolkowski and Ariana Chaivaranon |
627 |
An Afternoon with R. O. Blechman |
John Gardner |
645 |
Kennedy Conspiracy Comics: ¡en Español! |
Michela Canepari |
665 |
The Myth of Frankensteinfrom Mary Shelley to Gris Grimly: Some Intersemiotic and Ideological Issues |
The Best We Could Do: A Mini-Symposium |
Isabelle Martin |
693 |
The Role of Water in the Construction of Refugee Subjectivity in Thi Bui’s The Best We Could Do |
Debarghya Sanyal |
704 |
A Burden of Tales: Memories, Trauma, and Narratorial Legacies in The Best We Could Do and Munnu |
Francesca Lyn |
710 |
The Fragmentary Body: Traumatic Configurations in Autobiographical Comics by Women of Color |
A. David Lewis |
724 |
A Graphic Medicine Prescription |
Pioneers in Comics Scholarship |
Kosei Ono |
732 |
My Life with American Comics: How It Started |
Shefali Elizabeth Mathew |
738 |
Nature of Reality in the Graphic: “Calvin and Hobbes” |
Introduced by Jochen Garcke |
748 |
The Mindset of a Professional Exhibition Curator |
Remembrances |
Licia Citti |
772 |
One Life, Many Loves: Dario Mogno’s Passion for Cinematography, Publishing, Comics, and Cuba |
John A. Lent |
780 |
The Printed Word |
David Kunzle |
790 |
Review Essay: Shawn Gilmore |
Jean-Paul Gabilliet |
811 |
Exhibition Review Essay |
Rachel Kunert-Graf
Stephen Connor
Kirsten Møllegaard
John A. Lent
Maite Urcaregui |
820 |
Book Reviews |
John A. Lent
Edited by Mike Rhode
Carli Spina |
832 |
Exhibition and Media Reviews |
|
839 |
Correction |
|
| Vol. 21, No. 2, Fall/Winter 2019 |
| John A. Lent |
1 |
Editor’s Notes |
Andrew Perry |
4 |
Encrumbed by the Signifying Monkey: Con Men, Cackling Clowns, and the Exigencies of Desire in the Comics of Robert Crumb |
Justin, Chiu-tat Wong |
47 |
Initial Investigation of Political Cartoons and Illustrations in the Anti-Extradition Bill Protest in Hong Kong |
Jonathan Guyer |
74 |
War, Romance, and Everyday Life in Beirut’s Emerging Alt-Comix Scene |
Ryan Prout |
91 |
Invisible, Unseeing, Alienated: Mexico and William S. Burroughs in Bernardo Fernández’s Uncle Bill |
Gilbert Shelton |
115 |
Underground Cartoonists Exhibit in the Soviet Union, 1990 |
Simone Castaldi |
123 |
Italian Underground, The Secret Life of Italian Comics, 1968-1978 |
John A. Lent and Xu Ying |
149 |
The Intrigue Surrounding China’s Ink Wash Painting Animation |
Joseph N. Nyanoti |
169 |
Patriarchal Ideology in Kenya’s Editorial Cartoons: A Cultural Studies Approach |
Janis Be Breckenridge
Devyani Gupta
|
178 |
Out the Window: Illustrating the Realities of Alzheimer’s in Paco Roca’s |
Haley Hulan |
202 |
I’m Blackety Black Y’all: Conventions of the Superhero in the CW’s “Black Lightning” |
João Batista Freitas Cordosa
Evandro Gabriel Izidoro Merli
|
221 |
The Geek Culture in the Urban Environment:
|
Mrinal Chatterjee |
234 |
Portraying Social Issues: A Heuristic Study of Contemporary Cartoons in India
|
Noboru Tomonari |
243 |
Becoming a Man: The Allure of Muscular Masculinity in Manga by Ikki Kajiwara |
Malik Nairat and Palle Dahlstedt |
268 |
Generative Comics: Introduction and Analysis |
Marlene Pohle |
295 |
“Ao Correr da Pena”--“With a Stroke of the Pen” Drawing Vila Franca De Xira and His People |
Louise C. Larsen |
315 |
Commentary
I Have Much To Tell You:
|
Brian Baynes |
331 |
An Interview with M. Thomas Inge |
Zhu Yaozhou
Translated by Xu Ying
|
354 |
My Father, Mi Gu, A Masterful Cartoonist |
Joanna Luisa B. Obispo |
370 |
Japan’s Country Image: Perceptions of Filipino Early Generations and Anime University Student-Viewers |
Cord Scott |
397 |
The Skull and the Elephant: The Significance of The Punisher in American Political Eras |
John A. Lent |
411 |
Remembrances
|
John A. Lent |
440 |
The Printed Word |
Carlotta Vacchelli
Radmila Stefkova
John A. Lent
Catherine E. Corder
Stephen Connor
John A. Lent
|
444 |
Book Reviews |
Edited by Mike Rhode |
468 |
Exhibition and Media Reviews |
Mike Rhode
Mike Rhode
|
473 |
Exhibition Reviews |
|
496 |
Correction |
|
497 |
Portfolio |
| Vol. 22, No. 1, Spring/Fall |
| Martín Alejandro Salinas and Sebastián Horacio Gago |
2 |
Cultural Imperialism Strikes Back: A South American Symposium |
Martin Alejandro Salinas |
10 |
One World, Many Batmen: From Cultural Imperialism to the Culture of the Empire |
Sebastian Gago Translated by Alejandra Pina Mas and Martín Salinas |
43 |
“What Does a Few Lives Matter?”:
Notes on Two Comic-book Invasions of Héctor Oesterheld (1974-1977) |
Ivan Lima Gomes |
63 |
Graphic Narratives, a Tool of Imperialism in South America? Deconstructing American Superheroes in Brazilian and Chilean Comics (1960-1970) |
Lucas R. Berone Translated by Mariana de Madariaga and Lucas Berone |
83 |
Writing the History of Comics: The Case of the Di Tella Biennial (Buenos Aires, 1968) |
Rodrigo Browne S. and Rosmery-Ann Boegeholz C. |
99 |
Disney Academy: Donald Duck as the Western Imperialism Paradigm |
Ignacio Fernández Sarasola |
115 |
Toxic Reading Material: Techniques Used by Society and G overnments to Control Comic Books |
Héctor Fernández L’Hoeste |
154 |
Book Review Essay |
Jasleen Kandhari |
170 |
Graphic Narratives in Sikh Comics: Iconography and Religiosity as a Critical Art Historical Enquiry of the Sikh Comics Art Form |
Marty Branagan |
187 |
Tintin: From Violent, Communist-Hating Conservative to Radical Peacenik |
Levi Obonyo and Njoki Chege |
207 |
Lost in Modernity: Doodling in the Digital Age |
Robyn Johnson |
232 |
Sacrificing Healing: The Loss and Resilience of Yurok Healing in Chag Lowry and Rahsan Ekedal’s Soldiers Unknown |
Mirvat Mohamed and Kirsten Møllegaard |
257 |
This Land Is Whose Land? Voices of Belonging in Three First-Generation American Graphic Memoirs |
Chris Reyns-Chikuma |
274 |
Représentations de l’autre solitude dans quelques BD et comics canadiens dont l’histoire se passe à Montréal (1e partie) [Representations of the Other Solitude in Select Canadian Comics and BDs Which Take Place in Montréal (Part 1)] |
Chris Reyns-Chikuma |
311 |
Représentations de l’autre solitude dans quelques BD et comics canadiens dont l’histoire se passe à Montréal (2e partie) [Representation of the Other Solitude in Some Canadian BD and Comics Which Take Place in Montreal (Part 2)] |
John A. Lent |
347 |
Chinese Comic Art Museums and Centers Part One: A Personal Mission |
Yan Chuanming, Xu Ying, John A. Lent |
358 |
Chinese Comic Art Museums and Centers Part Two: The China Comics Village |
Ahmed Baroody |
366 |
Anime and Gender Roles in Kuwaiti Islamic Culture: A Conflict of Cultural Values? |
Michal Chudolinski |
401 |
The Outdatedness of Superheroism? The Condition of the Superhero Myth: Past and Today |
Iwan Zahar and Toni Masdiono with John A. Lent |
413 |
Hans Jaladara, Creator of Indonesia’s Panji Tengkorak |
Iwan Zahar and Toni Masdiono |
424 |
Ganesh TH, the Author of Si Buta dari Goa Hantu: The Most Celebrated Comics of the Indonesian Comics Golden Age |
David Kunzle |
432 |
Nearly 50 Years Ago An Early Glimpse of China’s Maoist Comics: A Review |
Jeffrey O. Segrave and John A. Cosgrove |
439 |
“You’re a star if you can louse up 70% of the time”: Sport in Jeff MacNelly’s “Shoe” |
Jakob F. Dittmar |
460 |
Flexible Comics?: Sequential Images on Screen Media |
Jason D. DeHart |
475 |
A Transmedia Case Study: Batman -- The Animated Series |
John A. Lent |
484 |
Remembrances |
John A. Lent |
489 |
The Printed Word |
Maite Urcaregui
Marie Sartain
Misha Grifka Wander
John A. Lent
Edward Salo
Sam Cowling
Patrick Ijima-Washburn |
492 |
Book Reviews |
Nick Nguyen |
511 |
Exhibition Review Essay
Exhibitions of the 47th Angoulème International Comics Festival |
Nick Nguyen |
525 |
Exhibition Reviews |
| Vol. 22, No. 2, Fall/Winter |
| John A. Lent |
1 |
Editor’s Notes |
José Alaniz |
5 |
Survilo and Historical Trauma in Contemporary Russian Comics |
Marty Branagan |
33 |
Tintin: From Violent Communist-Hating Conservative to Radical Peacenik, Part 2 |
Héctor Fernández L’Hoeste |
64 |
An Interview with Patricia Breccia |
Annabelle Cone |
92 |
“The Fez, The Harem Pants, and the Embroidered Tie: Fashion and the Politics of Orientalism in Three Francophone Graphic Novels” |
John A. Lent with Geisa Fernandes |
134 |
Far Out of the Box: The Comics of Chile’s Marcela Trujillo (Maliki) |
Natsume Fusanosuke Translated by Jon Holt and Teppei Fukuda |
164 |
The Characteristics of Japanese Manga |
Stephen Connor |
180 |
Ordinary Enemies: Robert Kanigher, Garth Ennis, and the Myth of the Unblemished Wehrmacht |
Pritesh Chakraborty |
|
Re-invention of Indian Myths in the Superhero Comic Books of Nagraj |
Christine Atchison |
229 |
Watchmen: An Exploration of Transcendence in Comics |
Francisco Saez de Adana and Michel Matly |
261 |
The 1936-1939 Spanish Civil War and American Comics |
Kim Munson |
284 |
Comix from the Cosmos: Interview with Barbara “Willy” Mendes |
John A. Lent |
|
Trying Times Require Re-inventiveness: Ways of Coping of Taiwan’s Ling Qun |
Brian Cremins |
341 |
“Reoccurring Dreams”: Music and the Elegiac Voice in John Porcellino’s Perfect Example |
Alisia Grace Chase |
|
The Maternal-Feminine and Matrixial Borderspace in Megan Kelso’s Watergate Sue |
Kosei Ono |
365 |
How Sugiura’s Ninja-Boy Comics Developed after the Asia-Pacific War |
Aaron Humphrey |
375 |
The Pedagogy and Potential of Educational Comics |
Jeffrey O. Segrave |
405 |
To Play or Not to Play? That Is the Question: Perspectives on Organized Youth Sports in Comic Strips |
Alexandra Bowman |
424 |
An Interview with India’s Ghost Animation Studio about Their Short Film “Wade” |
Peter Cullen Bryan |
434 |
An Expert on Arrow: Critical Fan Activism and Gail Simone’s Twitter |
Andrew Edward |
451 |
Is It a Bird? Is It a Plane? It’s Jack the Ripper! |
Safa Al-shammary |
462 |
Habibi Worth a Thousand Words, and a Few Words Worth a Thousand Tales |
Wendy Siuyi Wong |
476 |
In Memory of Theresa Lee Wai-chun (1943–2020) |
Kyle Eveleth |
482 |
Print Is Dead; Long Live Print!: Are Digital Comics Killing the Print Comics Industry? |
Angelo J. Letizia |
496 |
Comics as a Window into Disposability: Some Thoughts |
Mrinal Chatterjee |
509 |
Cartoons in the Time of Corona in India |
John A. Lent with Xu Yi |
525 |
The Wild Career Path of Taiwan’s Tsai Chih-chung: Animator, Comic Strips and Books Creator, Physicist, now Monk |
John A. Lent
Janis Be Breckenridge
Bryan Bove
Christopher Roman
Tony Wei Ling
John A. Lent |
531 |
Book Reviews |
Lizzy Walker
Elke Defever
John A. Lent
Cord A. Scott
John A. Lent
Matthew Teutsch
A. David Lewis
John A. Lent
Aaron Ricker
John A. Lent |
|
|
Chris Yogerst
Lim Cheng Tju
Chaney Jewell and Cassandra
Christ |
582 |
Exhibition Reviews |
|
590 |
Portfolio |
| Vol. 23, No. 1 |
| John A. Lent with Xu Ying |
1 |
In Support of Their Fathers’ and Mother’s Legacies: 13 Offspring of China’s Prominent Cartoonists Explain |
William Hamilton |
79 |
Coping with Conflict: Boxing Heroes and German Comics in the Aftermath of the First World War |
Michele Ann Abate |
138 |
“Any Children?”: “The Family Circus” and the Problems of Parenthood |
José Alaniz |
168 |
“Fragging” The Afghan War: Red Blood |
Artur Skweres |
204 |
All You Need Is Kill, Not Love -- Considering the Romantic Relationship in the Manga and Film Adaptations of Hiroshi Sakurazaka’s Novel |
Mike Rhode |
229 |
Jason Little Discusses The Vagina, His NSFW Webcomic |
Aaron Humphrey and Simon Walsh |
254 |
The Border Separating Us: Autobiographical Comics of an Australian World War I Internment Camp |
Toby Juliff |
271 |
Tintin and the Jews (of Contemporary Literature) |
Shivani Sharma |
288 |
Within and Between the Visual Metaphoricity of Comics: A Semiotic Approach to the Mahābhārata in Amar Chitra Katha |
Jeff S. Wilson |
313 |
Dramatizing Ontology in 18 Days: Grant Morrison’s Mahābhārata and the Battle to Save Eternity! |
Ignacio Fernández Sarasola |
334 |
The Role of Fox Feature Syndicate in the Implementation of the Comics Code Authority |
Alexandra Bowman Edited by Michael Rhode |
374 |
An Interview with 2021 Oscar Nominee: Icelandic Artist, Gisli Darri Halldórsson |
Kirsten Møllegaard |
385 |
Remembrances of Things Past: Childhood in Graphic Memoirs |
Kinko Ito |
403 |
The Social Functions and Impacts of Popular Manga in Contemporary Japan: A Case of GOLDEN KAMUY |
Chadwick L. Roberts Anita K. McDaniel |
421 |
Slaying the Monster: Heroic Lesbian Narratives in World’s Finest |
Angelo Letizia |
447 |
Poems, Comics and the Spaces Between: An Examination of the Interplay between Poem and Pag |
Noran Amin |
458 |
The Oriental Superheroes: Political Questions in G. Willow Wilson’s Cairo: A Graphic Novel and Ms. Marvel |
Alisia Grace Chase |
471 |
The Maternal-Feminine and Matrixial Borderspace in Megan Kelso’s “Watergate Sue” |
Felipe Rodolfo Hendriksen |
492 |
Morpheus Aeternorum Dreams, Androgyny, and Their Characteristics in Sandman (Preludes & Nocturnes), by Neil Gaiman |
Musings by Wim Lockefeer |
509 |
When Le Chat Was Put Among the Pigeons |
Ronald Stewa |
513 |
Obituary & Remembrance of Manga Historian Shimizu Isao |
Mike Rhode
Marc Singer
José Alaniz
Charles Hatfield
Joseph Witek
Vijay Shah
Joe Sutliff Sanders
Michael A. Torregrossa
Randy Duncan
Brian Cremins
John A. Lent |
520 |
On the Passing of Comics Scholar Tom Inge |
John A. Lent |
531 |
Research Prompts |
David Kunzle |
536 |
New Light on the Soon-to-Be Famous Marie Duval A Review Essay |
Héctor Fernández L’Hoeste
Stephanie Burt
John A. Lent
Jean Sébastien
Charles W. Henebry
John A. Lent
Maite Urcaregui
Michael Rhode
John A. Lent
John A. Lent
Chris York
Laura Sayre
John A. Lent |
553 |
Book Reviews |
John A. Lent and Jaehyeon Jeong |
592 |
International Journal of Comic Art Manuscript Preparation Guide |
| Vol. 23, No. 2 |
| John A. Lent |
1 |
Editor’s Notes |
Marie Laureillard |
6 |
Introduction |
Corrado Neri |
8 |
Small Objects, Old Pictures, New Drawings: Forms of Historiography in Contemporary Taiwanese Graphic Novels (Past and Future) |
Justin S. Wadlow |
30 |
Tales from Vietnam: Testifying about War and Exile in France and the United States |
John A. Lent |
50 |
The Other East Asian Cartoon Powerhouse--South Korea |
Delphine Mulard |
57 |
The Evolution of the Character of the Monkey King (Songokû) from Journey to the West in the Illustrated Books and Paintings in Edo Period |
Julia Rigual Mur and Pablo César Anía Ruiz-Flores |
71 |
Comics Outside of Japan: Manga by Spanish Authors |
Naoko Morita |
83 |
“Fuichin-san” (1957-1962), a Dramatization of a Girl’s Life in Harbin and the Stylistic Research of Ueda Toshiko |
Anthony Tristani |
94 |
Shonen and Seinen Manga, Repositories of the Pacific War |
Christophe Cassiau-Haurie Translated by Issa Nyaphaga |
124 |
History of Comics in Senegal |
Aswathy Senan |
150 |
What’s in a Signature?: The Comic War over the Twins |
Michele Ann Abate |
177 |
The New Yorker’s Greatest Cartoonist and the Little Spaniard: Peter Arno and Pablo Picasso |
Sarahi Isuki Castelli-Olvera |
202 |
When Quetzalcoatl and Shenlong Collide: Image of the Dragon on Quetzalcoatl’s Representation within the Mexican Comic Aztectopía |
John A. Lent with Huseyin Cakmak and Musa Kayra |
216 |
Tiny Country, Monumental Event: Cyprus Olive Cartoon Festival |
Nidai Güngördü with John A. Lent |
237 |
The Mayor’s Comments |
Pascal Lefèvre |
244 |
A Bumpy and Proud Academic Journey |
Wiliam Machado de Andrade and Aaron Humphrey |
272 |
The Legacy of José Carioca/Zé Carioca: A Critical History of the Brazilian Disney Ambassador |
Xu Ying |
290 |
An “In-betweener” Chinese Cartoonist: An Interview with Chang Jin |
Jeffrey O. Segrave John A. Cosgrove |
303 |
“I Ain’t a Bad Swab at Heart--I Does the Best I Know How”: Popeye and Boxing in E. C. Segar’s Thimble Theatre |
Freedom and Regulation of Expression, Manga, and Women: A Symposium edited by Fusami Ogi |
Nagayama Kaoru Translated by Patrick W. Galbraith |
322 |
The Imaginary Republic |
Fusami Ogi |
333 |
Shōjo Manga [Japanese Comics for Girls] and Her Freedom: Globalizing the Half-century Challenge of Going Beyond Difficulties |
Miho Takeuchi Translated by Nick Hall |
350 |
Places for Expressing Women’s Independence and Media Condition: Focusing on Essay Manga on SNS |
Jessica Bauwens-Sugimoto |
359 |
Expressing Visceral Female Subjectivity in Women’s Manga: Double Standards, Censorship, and Staying Ahead in the Game |
Takeshi Hamano |
367 |
Bodies Reconfigured between the National and Global Realms: An Exploration of the Shift of Moral Panic Codes Against Sexual Expression in Manga in Contemporary Japan |
Kazumi Nagaike |
373 |
An Analysis of Frame Structures in LGBTQ-themed Manga: How the (Im)permeability of Manga Frames Enhances LGBTQ Manga Characterization, Design, and Narrative |
Patrick W. Galbraith |
383 |
Is Eromanga a Bad Word? Confronting “the Erotic Barrier” |
Ahmed Baroody |
398 |
The Cultural Tensions of Non-Kuwaiti Video Games Circulating in Kuwaiti Culture: Kuwaiti Gamers’ Views on Gender, Sexuality, and Censorship in Gaming |
Kosei Ono |
429 |
Laughing All the Way: Saseo Ono in His Indonesia Days, 1941-1945 |
Michael A. Torregrossa |
432 |
Frankenstein and Its Legacy in the Comics |
John A. Lent |
441 |
Oleg Dergachov’s Perpetual Quest for Comic Art Fulfillment |
Sun Kil Whang |
451 |
Discussion about Typhoto Poem |
Jason DeHart |
471 |
New Visual Worlds: Introducing a Visual Pedagogy |
Barry Pearl |
480 |
Not STAN LEE’s Soapbox, But STAN LEE’s JACK-In-The-Box! Stan “The Man” Talks About Jack Kirby “The King” -- 1961-2014 |
Jason D. DeHart |
499 |
A Few Words from a Children’s Graphic Novelist |
John A. Lent |
502 |
Remembrance (Giannalberto Bendazzi 1946-2021) |
John A. Lent |
505 |
Research Prompts |
Alan Clark |
511 |
David Kunzle. Ally Sloper, His Life & Times, by Alan Clark, Sugar-Plums and Tootletum, The Work of C. H. Ross |
David Kunzle |
528 |
Richard Scully. Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 |
Michel Matly |
537 |
Héctor Fernández L’Hoeste. La función del comic |
Cherian George and Sonny
Liew
Benjamin Woo and Jeremy Stoll
Roy Schwartz
Sika A. Dagbovie- Mullins and
Eric L.Berlatsky
Danny Fingeroth and Roy
Thomas
Paul S. Hirsch
Dominic Davies and Candida
Rifkind
Eszter Szép Antόnio Antunes, et al
Daniel Worden
Andrew J. Kunka
John A. Crespi
Keum Suk Gendry-Kim
Christopher J. Gilbert
Blake Scott Ball |
546 |
Book Reviews |
Andy Holden
Wim Lockefeer
Mike Rhode
Pedro Moura |
589 |
Exhibition Reviews |
| Vol. 24, No. 1 |
| John A. Lent |
1 |
Editor’s Notes |
Ramie Tateishi |
8 |
Ishinomori Shōtarō: Teaching the Art of the Manga Panel |
S. Leigh Ann Cowan |
35 |
More or Less Hearing:
Representations of Deafness in Marvel Comics |
Compiled by John A. Lent |
82 |
Satire in the Wake of “Woke” : A South African’s Woes |
Citlaly Aguilar Campos |
107 |
Comics as Resources of Meaning in a Prevention Campaign for Covid-19 in Mexico: Susana Distancia and Escuadrón de la salud [Health Squad] |
Richard Scully and Mathew Paterson |
126 |
Kaiser, King, and Caricature:
Franz Joseph in British Cartoons, 1848-1916 |
Mike Rhode |
159 |
“Who Is This Gallant Girl of Greatness?” A Chat with Brian Biggs about My Hero |
John A. Lent with Geisa Fernandes |
182 |
Vilma Vargas, Female Political Cartoonist: A Rarity in South America |
Abinsha Joseph and Smita Jha |
207 |
The Names and the Nameless -- People Who Make Up the City: A Reading of Harsho Mohan Chattoraj’s Kolkata Kaleidoscope |
Paul Bevan |
223 |
“Not on Your Tintype”: The Emperor of Japan as Depicted by William Gropper |
Felix Cheong |
245 |
Poetry Comics as Artifact: The Visual Poetics of Sprawl |
Michelle Ann Abate |
255 |
Cliff Dwellers in Hogan’s Alley:
R. F. Outcault and the Ashcan School |
Lisa Mansfield, Jessica Stanhope, and Philip Weinstein |
287 |
Pride, Pain, and Punishment: Cacofonix as a Model of Resilience in The Adventures of Asterix |
Alvaro Alemán and Eduardo Villacís |
310 |
Metafiction and Ecuadorian Graphic Novel: The Case of El ejército de los tiburones martillo (2019) by Fabián Patinho |
Hayat Bedaiwi |
327 |
Qahera: The Webcomic, Not the City: Reception and Popularity |
Mike Rhode |
340 |
Discussing The Art of Living with Grant Snider |
Kay K. Clopton |
368 |
It’s Like You’re There: Experiencing Sounds, Giongo, and Gitaigo in Skull-face Bookseller Honda-san |
Michel Matly |
385 |
We Are Nothing |
Harry Jiandang Tan |
399 |
Early Chinese Portrayals in Western Political Cartoons from the Mid-19th Century |
Xu Ying |
434 |
Unique Beijing Comics Coffee House and Its First Exhibition: A Picture Story and Mini-Catalogue |
Patrick Ijima-Washburn |
448 |
Mobility of Monstrous Mermaids in Manga |
Nadiezhda Palestina Camacho Quiroz |
480 |
Similarities and Differences Between Mexican Friki Culture and Geek Culture in the United States |
compiled by Mike Rhode |
499 |
Comic Art Academic Monograph Publishers |
Kathleen Breitenbach |
510 |
Maia Kobabe in Conversation: Banned Books, Queer Stories, and Gender Queer: A Memoir |
Motoko Tanaka |
533 |
Contemporary Rebellion in Tsutsui Testuya’s Yokokuhan |
Laetitia Rapuzzi |
549 |
The Manhua Specialized Press in China: 40 Years of Reform and Opening Up |
CT Lim |
576 |
Introducing SG Cartoon Resource Hub, a New Site for Exploring Singapore Cartooning |
Daniel F. Yezbick |
597 |
Goodbye, Bob (and thanks for all your words about pictures!): A Far Too Brief Appreciation of the Life and Times of Robert C. Harvey, Comics’ Premiere Pundit |
Jakob Dittmar |
608 |
Defining the Graphic Novel |
Brent Allison |
623 |
An Essay Odd Taxi, Animal Farm, and Satirical Distance |
Jason DeHart |
631 |
Long Answers to Simple Questions: An Interview with Ben Hatke |
Mike Rhode |
638 |
Meet Sergio Peçanha, Washington Post Visual Essayist |
Mike Rhode |
645 |
A Chat with Ted Anderson: “I Work in My Head” |
Eric Berlatsky
Charles Henebry and Lee Williams
María Márquez López
John A. Lent
Cheng Tju Lim
Chris York
Cord A. Scott
Kenneth Oravetz
Jason D. DeHart
Elke Defever
Cord A. Scott
Elke Defever |
653 |
Book Reviews |
José Alaniz
Tony Wei Ling
Barbara Postema
Wim Lockefeer
Robert Lemieux
Martha H. Kennedy
John A. Lent |
691 |
Exhibition Reviews |
| Vol. 24, No. 2 |
| John A. Lent |
1 |
Editor’s Notes |
Chris Reyns-Chikuma |
4 |
Introduction: Canada + Manga = Canga? |
Jean Sébastien |
18 |
Quebec Welcomes Manga or Towards a New Thread in the Imagined Community |
Sylvain Rheault |
33 |
The Ways in Which Manga Enters Canada |
Zachary Winchcombe |
45 |
“Discovering” Gekiga: Drawn and Quarterly, Yoshihiro Tatsumi, and Manga in Canada |
Ryan Clement |
65 |
Is “Can-ga” the Next Scott Pilgrim? How Canada Can Draw on Japanese Manga and Its Own Diverse Communities to Celebrate and Promote Its Own Comic Creators |
Tsugumi (Mimi) Okabe |
84 |
Reading Jane Austen in Canadian Shōjo Manga: Risks and Rewards |
Fabrice Leroy |
95 |
The Algerian War Through the Noir Lens in Jacques Ferrandez and Maurice Attia’s Alger la noire |
Roman Rosenbaum |
115 |
The Representation of the U.S.-Japan Alliance in Manga |
Joseph “Rusty” Witek |
162 |
Choices and Chances: Getting to Be a Comics Scholar |
Sara W. Duke |
179 |
Drawing the Dust Bowl: An Interview with Aimee de Jongh |
Roger Sabin |
187 |
Working with the “Friendliest Gang in Academia” |
Oleg Dergachov |
201 |
“To Say Out Loud Everything You Think About and Everything Around You” --The Views of Russia’s Viktor Bogorad |
Oleg Dergachov |
212 |
A Defiant Chronicler of War in Ukraine: Vladimir Kazanevsky |
Wang Jing Translated by Xu Ying |
222 |
My Friend and Muse, Li Binsheng: Master Cartoonist, Peking Opera Performer, Magician, and Folklorist |
Mike Rhode |
231 |
Brilliant Color-Blind Colorist: Haitian Cartoonist Thony Loui |
Amanda Kennell |
246 |
Satoshi Kon’s Opus through His Anime |
Kinko Ito |
268 |
Gengoroh Tagame: An Award-winning, Openly-Gay, Erotic, Manga Artist Portrays Gay Life and Issues for the General Audience |
Mark David Nevins |
281 |
The “Art” of the Swipe (Or: Revenge of the Fanboys) |
Mike Rhode |
307 |
The Occasionally Fabulous Cartooning Life of Eric Orner |
Ian Gordon |
330 |
Martin Barker (1946-2022) |
Jonathan Gray |
334 |
Big Name B: With Thanks to and in Memory of Martin Barker |
Mackenzi McGowan |
337 |
Quixotic “Adaptations”: 21st Century Illustrative and Written Tributes of Don Quijote |
Y. S. Seo and Austin Kang |
356 |
Effects of Service Quality Characteristics of “Lore Olympus” on User Satisfaction and Reuse Intention of Generation Z in Korea |
Delázkar Rizo |
376 |
Irreverence Images. Everyday Rebellion in Paul Kirchner’s and Gary Larson’s Cartoons |
Jason D. DeHart |
388 |
Namor: The Dynamics of Outsider and Insider |
Dietrich Grünewald Translated by Abigail Fagan |
395 |
Abstract Comics A Challenge to the Audiences’ Imaginative Capacities |
Xu Ying |
414 |
Chinese Comic Artist Cai Weidong |
Pritesh Chakraborty |
424 |
A Comparative Analysis of the Representation of Violence in Fanon’s The Wretched of the Earth and Selected Batman Comics |
Georgina González Mendívil |
439 |
Pompeyo the Villain and Couples’ Interactions |
John A. Lent |
446 |
New Book Series and Reprints |
Mike Rhode |
449 |
Randy Scott Retires from Michigan State University Library’s Comic Art Collection |
Rik Spanjers |
451 |
A Colonial Perspective on the Indonesia-Netherlands Comics Connection |
Lara Saguisag |
459 |
Mystery, Magic, and Love in Manila: A Review of Three Graphic Novels from the Philippines |
Paul Levitz
John A. Lent
Sam Cowling
Elke Defever
Chris York
Xu Ying
James Willetts
Christopher M. Roman
Cord A. Scott Viola Burlew John A. Lent |
501 |
Book Reviews |
Mark McKinney |
501 |
A Funereal Exhibition |
Clio Ding |
514 |
An Exhibition Review |
Domingos Isabelinho |
521 |
A Challenge |
|
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