| Vol. 27, No. 1, 2025 |
| pages 688/ Articles 27 |
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| John A. Lent |
1 |
Editor’s Notes |
Ian Gordo
Beatriz Sequeira de Carvalho |
5 |
Chiquinho and Buster Brown: Comic Strips and Globalization in the Early 20th Century |
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43 |
A Career In Cartoons, A Personal Recollection by Brian Walker |
José Alaniz |
83 |
“My Red Library”: A Štěpánka Jislová Interview |
Alex Beringer |
103 |
19th-Century American Comic Strips: A Guide to Resources and Publications |
Ramie Tateishi |
141 |
Matsumoto Leiji and the Musical Biography |
Rik Sanders |
173 |
The Long Haul of Stripschrift Not the First, but the World’s Oldest Comics Information Magazine |
John A. Lent |
192 |
Stripschrift, the World’s Oldest Magazine about Comics: An Interview with Editor-in-Chief Rik Sanders |
Ann Telnaes |
196 |
My Press Freedom Lecture in the Netherlands: Highlighting the Role of Editorial Cartooning and Satire in Democracy |
José Alaniz |
200 |
“When You Erase Human Beings, It Starts To Get Weird”: A Jakub Woynarowski Interview |
Mike Rhode |
218 |
Appalachia Comics Project’s Islands in the Sky: An Interview with Andrew Aydin on the Book, the Kickstarter, and His Other Projects |
Kay K. Clopton |
238 |
Speaking Up Sometimes Makes a Difference: Sounds of Enjoyment in She Loves to Cook,
She Loves to Eat |
Warren Bernard |
269 |
The Catalogue Raisonné of Will Eisner’s World War II Posters |
Mathieu Li-Goyette |
302 |
Blackboards of Letters & Lines: On Chalk Talking and the Birth of the American Comic Strip |
Felicity Yin |
323 |
Dieselpunk in China? Anachronism, Speculation, and Political Anxieties in Republican Cartoons and Comics |
Mark Bryant |
341 |
Sir Francis Carruthers Gould The Gentle Knight of “Picture Politics” |
Jeffrey O. Segrav John A. Cosgrove |
345 |
Sport in Bill Amend’s “FoxTrot”: Family, Fantasy, and Failure |
José Alaniz |
364 |
“My Running Is Drawing”: A Peter Kuper Interview |
Smitha Bhandare Kamat |
374 |
Framing Gender Through Cartoons: A Dialogue with Mona Abd Elsalam |
Yasuko Akiyama |
379 |
Shifting Ambitions: The Female Protagonist in Matsuda Naoko’s Juhan Shuttai |
Troy Michael Bordun |
396 |
Existence, Authenticity, and Bad Faith in Ms. Marvel |
Jeremy Barris |
411 |
Comic Book Superheroes Are No Modern Mythology, But They Are in a Vital Way Ancient Greek |
Cassy Lee |
437 |
Climate Activism and a Comic Book: Holler… and the Mountain Valley Pipeline Interview with Denali Sai Nalamalapu |
Liam Webb |
448 |
Thoughts as a Creator and as a Fan: Points of View from the Other Side of the Convention Table |
John A. Lent |
498 |
Remembrances
Nezih Danyal, 1945-2025 Pang Bangben, 1935-2025 |
Michael Rhode |
501 |
Research Prompt: Magazine Cartoonists and Advertising |
Ignacio Fernández Sarasola |
502 |
The World of Comic News: Spain |
Michel Kempeneers |
509 |
“David Kunzle Page” on Töpfferiana Website for Early Comics |
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Book Reviews
-James J. Donahue. Indigenous Comics and Graphic Novels: Studies in Genre, by Jean Sébastien, p.516.
-Eike Exner. Manga: A New History of Japanese Comics, by John A. Lent, p.518.
-Barbara Chamberlin, Kom Kunyosying, and Julia Round, eds. Horror and Comics, Elizabeth Brown, Cody Parish, p.520.
-Caitlin McGurk. Tell Me a Story Where The Bad Girl Wins: The Life and Art of Barbara Shermund, by Alex Dueben, p.523.
-Douglas Brode, ed. Analyzing the Marvel Universe. Critical Essays
on the Comics and Film Adaptations, by Cecilia Garrison, p.525.
-Michelle Bumatay. On Black Bandes Dessinées and Transcolonial
Power, by John A. Lent, p.529.
-Thomas Paul Thesen. Chinese Animation. Volume 1: Religion, Philosophy and Aesthetics, by John A. Lent, p.531.
-Kees de Groot, ed. Comics, Culture, and Religion: Faith Imagined, by Dominick Grace, p.533.
-Brandon R. Grafius and John W. Morehead, eds. Horror Comics and Religion: Essays Framing the Monstrous and the Divine, by Philip Smith, p.535. |
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Graphic Novel Reviews
-Štěpánka Jislová, translated by Martha Kuhlman. Heartcore, by José Alaniz, p.539.
-Wilfrid Lupano and Stéphane Fert. Surrounded: America’s First School for Black Girls, 1832, by John Craig, p.554.
-Mikaël. Harlem, by Matthew Teutsch, p.557.
-Enchanted Lion Books, by Liz Brown, p.560.
-Loo Hui Phang and Hugues Micol. Erased: An Actor of Color’s Journey Through the Heyday of Hollywood, by Matthew Teutsch, p.565.
-Joanna Rubin Dranger. Remember Us to Life. A Graphic Memoir, by Ishita Sehgal, p.568.
-Luke C. Jackson (w), Kelly Jackson (w), and Maya Graham (a). The Brownout Murders, by Cord A. Scott, p.570.
-Briana Loewinsohn. Raised by Ghosts, by Cassy Lee, p.572.
-Fernando Trueba and Javier Mariscal; translated by Edward Gauvin. They Shot the Piano Player: The Graphic Novel, by Elk Paauw, p.577.
-Dave Cowen and Gabriel Wexler. Should We Buy a Gun?, by Cord
A. Scott, p.580. |
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-Gregory Maguire, adapted and illustrated by Scott Hampton. Wicked: The Graphic Novel Part I, by Julian Lawrence, p.581.
-Louie Joyce (w, a). Godzilla: Skate or Die!, by Cord A. Scott, p.590.
-Chris Howry (w), Matt Frank (a), and Jeff Zornow (a). Godzilla Library Collection Vol. 4, by Cord A. Scott, p.592.
-Kit Anderson. Second Shift, by Maite Urcaregui, p.593.
-Arvind Ethan David, Ilias Kyriazis, and Cris Peter. Raymond Chandler’s Trouble Is My Business, by Charles Henebry, p.596.
-Paul Cornell and Rachael Smith. Who Killed Nessie?, by Daniel Peretti, p.600. |
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Exhibition Reviews
-The Ninth Art at the Centre Georges Pompidou: A Review of Comics 1964-2024, by Mark David Nevins, p.607.
-“Lucca Comics & Games 2024”, by Bart Beaty and Rebecca Sullivan, p.620.
-Emil Ferris: My Favorite Thing Is Monsters, Book Two, by Laurie Anne Agnese, p.628.
-The 15th National Comic Art Exhibition of China, by Xu Ying, p.634.
-“Peter Kuper’s Insectopolis: A Natural History”, by José Alaniz, p.640.
-“Background” Exhibition, by José Alaniz, p.648.
-“Commemorating the Centenary Birthday of Mr. Ying Tao--Ying Tao’s Cartoon Exhibition”, by Xu Ying with John A. Lent, p.655.
-“Tove Jansson: Paradise”, by Bart Beaty and Rebecca Sullivan, p.662.
-“Tove Jansson and the Moomins: The Door Is Always Open”, by Carli Spina, p.668. |
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Documentary Review
“A Savage Art: The Life and Cartoons of Pat Oliphant,” by Peter Kuper, p.675. |
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680 |
Portfolios |
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